François Ede

Documentary on the making-of Tati's Playtime (1967)

Now Titus' father has died, the new emperor will be free to marry his beloved Bérénice. Also In love with Bérénice, Titus' friend Antiochus plans to flee Rome rather than face the marriage. However, public opinion about the pairing causes Titus to choose his duty to Rome over his love for Bérénice, and he sends his love rival to tell Bérénice the news...

With his body now devoid of substance and able to fly, N. wanders looking for a way to return to life and reintegrate into the world.

In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.

When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.

Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.

Episode of the French television series "Cinéma Cinémas" which documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s 1949 film "Jour de fête".