Ana Almeida

The shocking true story of Catherine Oxenberg and her fight to save her daughter India from a dangerous sex cult.

On a spring night of 1999, two teenagers set out in an adventure to save the VHS.

The Forest of the Lost Souls is a dense and remote forest, Portugal's most popular place for suicide. In a summer morning, two strangers meet within the woods.

Six new stories emerge in the new feature film from the Stranger Tales franchise, bringing the theme of Demons and Possessions.

Two friends challenge each other into playing basketball with zombies.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

Olívia is a film student. Newcomer to a new reality, she has an affair with a stranger. This turns to be Cesar, her Filmology teacher, who also requires her to complete a short about Manoel de Oliveira.

In 1972, Maria Isabel Barreno, Maria Teresa Horta and Maria Velho da Costa published the book As Novas Cartas Portuguesas [New Portuguese Letters], addressing topics forbidden and censored during the Estado Novo regime such as the colonial war, adultery, rape and abortion. The book was immediately banned and the writers were prosecuted for crimes against morality. The legal proceedings caused waves of protest around the world, giving rise to an international network of solidarity. In the film, the “three Marias” tell their story, before and after one the first major feminist struggles in Portugal.