Nikolai Khodataev

Directing

Nikolai Khodataev

Born May 9, 1892

Died December 27, 1979 · aged 87

No biography available.

Known For

Terrible Vavila and Auntie ArinaTerrible Vavila and Auntie Arina · 1928
Terrible Vavila and Auntie Arina
1928
MovieAnimation
Educational film about March 8th, about the situation of rural women.
One of ManyOne of Many · 1927
One of Many
1927
MovieComedyAnimation
A Soviet film-obsessed girl has met Douglas Fairbanks and Mary Pickford during their visit to Moscow in 1926 and dreams of going to Hollywood. Overwhelmed with excitement, she falls asleep and her dream comes true.
China in FlamesChina in Flames · 1925
China in Flames
3.61925
MovieHistoryAnimation
Soviet propaganda cartoon about the ongoing revolution in China.
Fialkin's CareerFialkin's Career · 1934
Fialkin's Career
1934
MovieAnimation
The cartoon tells the story of a tap dancer named Fialkin, who decides to get a job as an accompanist at a local club. However, he confuses someone else's suitcase with his own.
OrganchikOrganchik · 1933
Organchik
4.41933
MovieAnimation
Visionary satire by Nikolai Khodataev.
Interplanetary RevolutionInterplanetary Revolution · 1924
Interplanetary Revolution
5.51924
MovieAnimationScience Fiction
The spread of the Soviet revolution drives the blood sucking international capitalists to desperation, so they take their wealth and fly off into space, but even then cannot escape the wrath of the wronged workers.
Animated Soviet PropagandaAnimated Soviet Propaganda · 1997
Animated Soviet Propaganda
3.01997
MovieDocumentaryAnimation
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.
We'll Keep Our Eyes PeeledWe'll Keep Our Eyes Peeled · 1927
We'll Keep Our Eyes Peeled
5.11927
MovieAnimation
Billed as "a cinema-propaganda poster," this 1927 short advocates the purchase of government bonds as a means to combat a British trade embargo. Its dynamic interpolation of newsreel footage and animation is a good deal more radical than its political message.

Filmography

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