Joël Brisse

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

Recently the victim of a car accident, Paul, a teacher, is no longer the same man. He no longer shows any interest in his environment and, even more worryingly, he seems to have become impervious to all feelings, all emotions. His wife, Marianne, and his mistress, Luisa, are of little more interest to him than his students, which is to say very little. Desperate, Luisa meets Marianne to try to understand.

Max and Minou are having a relationship crisis: she's crying, he's getting annoyed. Their car has been vandalised but this is not why she's crying. While looking for a car repairer on a small industrial estate, they come across some people who are even more troubled than they are. The world seems about to erupt.

While they're cycling, A talks about her tapeworm. G links this to her fear of the phallus.

Alban is blind. Between home and school, he has organised his life to make things seem normal. When he wins a camera it brings home the fact that certain aspects of life are inaccessible to him. He will have to master them, even reinvent them, so that they play a role in his inner life

In the 12th century, Brother Antoine and Brother Vincent decided to leave their monastery and return to the world to help people find joy. Armed only with their enthusiasm, they face all kinds of adventures, making their journey a voyage of initiation. La Coquille de l'Escargot is the first part of a diptych.

The employees of a dry cleaner tell each other their dreams, or how to say things to each other without speaking.

A man besieges the hotel room where the woman he loves has taken refuge.

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

A man and a woman whose first names will never be known and who should never meet. He is an immigrant, worker of the vine, she is a fleeing bourgeois who thinks she has committed an irreparable mistake.

Julien and Emma are brother and sister, living in rural France with their father, who writes children's books. Julien is a gifted pianist but the loss of his mother has sucked the joie de vivre out of him; his best friend Alice knows it although their platonic relationship is more about him supporting her in bad relationship choices than anything else. When he sees a beautiful woman called Olga in a bookstore, Julien is smitten and sets about to set up someway of impressing her and winning her affection.

The life of a family of boatmen flows gently along the water when a desperate man, wanting to throw himself off a bridge, lands on the pile of sand they were carrying. The film is preceded by a short film by the same author, "Someone", which recounts the memory of fifteen years of frequenting the same barber.

Noël is a different kind of man. He has maintained a state of innocence. His apparent non-conformism springs from his intuition, sensuality and, above all, his deep attachment to nature and its elements. People treat him like the village idiot and his one source of refuge and understanding is a little girl. Even Olivia, the local teacher with whom he falls in love, has trouble understanding and accepting his behavior which she considers primitive. In a state of despair about living in a world where there is no longer a place for the animal reign, Noël winds up committing an irreversible act...