Vladimir Mayakovsky

Inventor Chudakov builds a time machine. All that remains is to interest the technical innovation officials and receive authorization to continue the experiment. And it turns out that's the hardest part! The end point in this inventor's struggle will only be set by a "phosphoric woman" arriving from a wonderful future...

Free adaptation of the script by Vladimir Maiakovski. Jomard Muniz de Brito and Pernambuco's cinema.

Cartoon characters discuss the basics of ethics using funny examples from real life.

Based on Mayakovsky's twentieth-century morality play, in which workers receive the awards of the blessed, and monarchs and capitalist politicians are consigned to eternal damnation.

A satirical Soviet puppet animation film from 1959. Based on the poem of the same name (1926) by Vladimir Mayakovsky.

The bourgeois wedding of Dekabryukhova is interrupted by the machine-gun fire of revolution. He flees abroad, leaving his wife. Oktyabryukhov stays and adapts to the new life. At the end of the picture there is an attempt at universal reconciliation and the poet's tormenting theme "three-way love". Dekabryuhov returns to his homeland. His wife is already married to Oktyabryukhov. Having learned about it, Dekabryukhov tries to leave, but the newlyweds force him to stay.

Fantastical story about an artist whose life changes after a ballerina from a film poster comes to life. Mostly lost.

Based on a short story by O. Henry "The Ransom of the Red Chief". Three boys meet by chance. Myshko, a pioneer, is walking down the street in the ranks of a pioneer unit, while the homeless Semen is standing behind the unit, and Mr. Zhorzhyk is looking out of the window. The second time the boys meet is in the Crimea, where Myshko travels with the pioneers, the panych in a soft carriage with a bonnet, and Semen between the cars. Semen is kidnapped by bandits who mistake him for Zhorzhyk. Meanwhile, Zhorzhyk escapes from his bondage to a pioneer detachment. Soon, Semyon ends up there as well.

This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.

Animated poetic ode to the bright Soviet Future, based on the poems by Vladimir Mayakovsky.

A young woman arrives in her school where she must teach for the first time. Her task consists in teaching a class of adults to read and write. All her students are male, ranging from boys to old men, and they are rather rowdy and difficult. All the more as a young hooligan dares write her on a test paper that he loves her. Feeling harassed by the young man, she is defended by other students. But she more or less feels the young bad boy's love is true and when this one is lying on his dying bed, after being stabbed by the other students, she solaces him by kissing him tenderly.

Soviet animation from Vladimir Tarasov.

A cartoon based on Mayakovsky's poem about how a little girl chose her profession, what she would do when she turned seventeen. Being a carpenter is good, you can make chairs and baskets, but being a doctor is better, he puts sick people back on their feet. Being a doctor is good, but being an engineer is better, because he builds houses. Being an engineer is good, but being a worker is better, because he makes machines. Being a worker is good, but being a driver is better. There are many professions, but you have to choose according to your taste.

The film tells the story of how Vladimir Mayakovsky created his works. He did not need the silence of a study; he created constantly—everywhere and in any setting. The picture includes archival footage, including material from 1917, as well as Mayakovsky’s drawings. Viewers can also see the poet’s working notebook: on the left-hand pages he wrote down thoughts and images, and on the right-hand pages he shaped them into poetic lines.

A satire on Soviet propaganda based on Mayakovsky's poems.

Based on Vladimir Mayakovsky's works about the Great October Revolution.

The teleplay was based on V. Mayakovsky’s poems “You!”, “Listen!”, “Conversation with Comrade Lenin” and other works of the poet.

This film is part of the series "Treasures of Russian ballet".

Performance shot in 1977, in which emblematic actor Carmelo Bene, in the charming reconstruction of the ruins of a theater on fire accompanied by the disturbing notes of Vittorio Gelmetti, reads four poems of the Twentieth Century russian poets Vladimir Majakovskij, Boris Pasternak, Aleksandr Blok and Sergej Esènin.