Valentine Camax

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.

It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss, George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle.

A little town erupts in turmoil about the construction of a public urinal. The army is sent in to restore order, but the military add to the confusion by getting involved with the local women.

A young woman's comfortable life with her boyfriend is disrupted when he leaves for military duty, entrusting her to a playboy friend seeking a fake marriage for inheritance. Complications arise as a prince enters the scene, pursuing her romantically.

Claude, son of a ruined family, pretends to be a dangerous trickster in order to get credit from the guys in the middle. He is in charge of retrieving compromising letters from a woman whose lover fears blackmail. But before arriving there, Claude fortunately meets love.

Raymond Bernard’s film of a script by Antoine de Saint-Exupery (The Little Prince) about a young woman who aspires to become a pilot.

A wealthy banker, bored with his life, heads to the Latin Quarter of Paris where he pretends to be a struggling artist. He falls in love with a student from the Sorbonne and moves into the same boarding house as her while continuing his pretence of poverty.