Lilja Guðrún Þorvaldsdóttir

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

The dentist Oscar has been married for five years and lives with his wife and adopted children. On the surface everything seems to be fine but Oscar is not a happy man. His wants a baby of his own flesh and blood but it's not working out. When he finds out that his wife has been deceiving him all these years he decides it's time for a change. Einar is a stockbroker who is very successful at work but not in his personal life. For the last couple of months Einar has been living at a hotel waiting for his wife to realize the terrible mistake she made by throwing him out. Katrin Rose returns from Sweden where she has lived for eight years. In Iceland Katrin has an eleven-year-old son, brought up by his grandmother and now Katrin wants him back. Katrin gets a job as a dentist's assistant intending to make a fresh start but her troubled past catches up with her.

Auður tries to get acclimated to the life on a small island, away from the stress of a modern community.

Albert works in the meat section of a convenience store who falls in love with a woman who frequents the store.

Karitas is a single mother of four who desperately tries to make ends meet. Fighting a losing battle with her ex-husband for custody over her three daughters, she is oblivious to what’s going on with her twelve year old Gudmund, a victim of brutal bullying at school and whose life is on the fast track to destruction. Gudmund’s only friend in the world is Marinó, a schizophrenic in his fourties who lives with his mother in the same apartment building. When Marinó realizes that his mother has secretly been dating a stranger, Marinó starts to lose grip on reality.

Íþróttaálfurinn has managed to change the villagers' negative attitude towards sports, healthy food and all diligence. But when he leaves and the villagers have to manage on their own, they turn out to be very unstable and easily influenced by the criminal Glanni Glæpur, who turns up disguised as a very rich man. In fact, he has stolen the president's car and intends to corrupt the villagers so that he can sell them un-wholesome powder-food and become mayor of the town.

An unexpected first kiss causes Gabriel to feel the electrifying "jitters" of love and lust with the free-spirited Marcus; a perfect way to end a Summer studying abroad. Realizing he is gay, Gabriel returns home and is immediately scrutinized by his family and friends who notice he’s different. But as the school year launches with Gabriel distracted with parties and his friends’ own dramas, Marcus returns, reigniting the hot, thrilling emotions of one’s first crush. Jitters fires head-first into the topsy-turvy world of first love with an attractive cast and pulsating soundtrack, making it a smartly refreshing journey into the queer, teen experience.

After the death of his father, a private investigator in Iceland leads his own search to discover what really happened.