Susan Taslimi

To end an apocalyptic war and save her daughter, a reluctant soldier embarks on a desperate mission to cross a frozen sea carrying a top-secret cargo.

During the Iran-Iraq War, young Bashu loses his home and family. Orphaned, he sneaks into a truck leaving the area, and gets off in the Northern country, where everything from landscape to language is different. He meets Naii, trying to raise her two young children on a farm while her husband is away. Despite cultural differences and a language barrier, Bashu and Naii slowly form a strong bond.

In the middle of the Medieval fair in Visby the house of a 70-year-old woman is set on fire, and she is presumed dead. When another murder occurs Maria Wern and her police colleagues head for a picturesque summer town where everybody knows each other - and where the discovery of several Latin texts and incomprehensible drawings makes the police suspect that all the events have something to do with the medieval fair.

Beautiful young widow Tara returns to her village with her two children from the country. On her way home, she learns that her grandfather has died, and distributes his belongings among her neighbours. But there remains an old sword that no one will accept. One day, on the road, Tara meets an ancient warrior, who claims that his clan have sent him to take the old sword back.

Noted Iranian actress Susan Taslimi plays an impoverished single mother who agees to marry off her 13-year-old daughter to a middle-aged man in return for a mare, which will help her earn an income and provide for her younger children. Director Ali Zhekan paints a stark picture of poverty and patriarchy in rural Iran (the mother stores her rice in a container hidden in a tree; her brother, who brokered the wedding, mercilessly beats the recalcitrant child), but this 1986 film is distinguished mostly by Taslimi's increasingly fiery performance as the mother decides to defend her daughter's freedom.

A choir of young women gives a guest performance in a country church outside Ystad. But when an 18-year-old member of the choir disappears, Wallander is brought in to investigate.

A poetic imagining of the circumstances leading to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, remains mysterious: his corpse is discovered in a mill, but the cause of death—and the whereabouts of his remains—are unknown.

A young Iranian man is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.