Jean Gabin

Acting

Jean Gabin

Born May 17, 1904 · Paris, France

Died November 15, 1976 · aged 72

Jean Gabin Alexis Moncorgé (born Jean-Alexis Moncorgé), known as Jean Gabin (17 May 1904 – 15 November 1976), was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films, including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le plaisir (1952). During his career, he tw…

Known For

The Sicilian ClanThe Sicilian Clan · 1969
The Sicilian Clan
★ 7.61969
MovieCrimeDrama
An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.
The Counterfeiters of ParisThe Counterfeiters of Paris · 1961
The Counterfeiters of Paris
★ 7.01961
MovieCrimeComedy
"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.
Maigret Sees RedMaigret Sees Red · 1963
Maigret Sees Red
★ 6.41963
MovieCrimeDrama
Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...
Grand IllusionGrand Illusion · 1937
Grand Illusion
★ 7.91937
MovieDramaHistory
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
The TattooThe Tattoo · 1968
The Tattoo
★ 6.41968
MovieComedy
An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.
Touchez Pas au GrisbiTouchez Pas au Grisbi · 1954
Touchez Pas au Grisbi
★ 7.21954
MovieCrimeThriller
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Les MisérablesLes Misérables · 1958
Les Misérables
★ 7.21958
MovieDrama
In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.
Two Men in TownTwo Men in Town · 1973
Two Men in Town
★ 7.11973
MovieCrimeDrama
A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

Filmography

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The Image BookThe Image Book · 2018
The Image Book
★ 6.32018
MovieDocumentaryDrama
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

(archive footage)