Naná Vasconcelos

Suffering because of his father's departure to the big city, a boy leaves his village and discovers a fantastic world dominated by bug-engines and strange beings. An unusual animation with various artistic techniques that portrays the issues of the modern world through the eyes of a child.

A disc jockey, a pimp and an Italian tourist escape from jail in New Orleans.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was there for political reasons, and Jorge, as a common criminal.

Widowed and broke Finnish businessman Kari takes his two teenage daughters with him to Brazil. A bush pilot introduces him to the idea of gold mining in the jungle, but a beautiful and educated local woman warns him about the possible consequences to the rain forest. Kari has mixed feelings about the project, until an accident puts him in the care of a local Indian tribe.

Jean-Arthur has been working as a clerk in a travel agency. One day, he, along with his colleague comes to a brilliant idea: what if I offer tourists real extreme recreation? So the group of tourists land on a deserted island with no food, no shelter, nothing.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Portrays the life and work of the iconic Luiz Gonzaga do Nascimento. Focusing on his childhood and adolescence, the film seeks to explore the deep connections between the budding artist and the myths that shaped his

Moki and Don Cherry met in the mid-1960s and soon began collaborating closely. They made happenings, music, art, posters, and record sleeves; they performed together, organized workshops, and toured. The film merges the different worlds they lived in – countryside and city life, and the various disciplines that were interwoven in their artistic practices.

Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.

In 1993, Sam Fuller takes Jim Jarmusch on a trip into Brazil's Mato Grosso, up the River Araguaia to the village of Santa Isabel Do Morro, where 40 years before, Zanuck had sent Fuller to scout a location and write a script for a movie based on a tigrero, a jaguar hunter. Sam hopes to find people who remember him, and he takes film he shot in 1954. He's Rip Van Winkle, and, indeed, a great deal changed in the village. There are televisions, watches, and brick houses. But, the same Karajá culture awaits as well. He gathers the villagers to show his old film footage, and people recognize friends and relatives, thanking Fuller for momentarily bringing them back to life.

After being collected from the dressing room of the Candomblé center, Ana shares her desires, memories, dreams, and reflections with the viewer through a diary.

At 84 years of age, Lúcia Rocha admitted herself to a hospital in São Paulo to undergo heart tests. Upon receiving the news about the risk to her life, Lúcia, laconic, tells the doctor: 'Then open it'. This is the second time she has undergone bypass surgery. From this gesture, the documentary Abry was born (with y, sign of the unconscious, according to the nomenclature invented by his son, Glauber Rocha). To relate her memories, she invites filmmaker Joel Pizzini, who offers his mini camera as an instrument to amplify Lúcia's imagination. Abry is a poetic dive into Lúcia Rocha's fabulous universe, reconstructing her trajectory in Brazilian cinema through sounds, images and characters with whom she lived closely.

Antero and Maria Araújo's story is the shortcut chosen by the director to show life in Maraima, a small town in the state of Ceará, Brazil, including life in community and the military influence. Maria wanders through the state praying to ward off the symbolical presence of the Dragon. That's when she finds Antero, an end-of-the-world prophet, who will join her in her pilgrimage and fight against the mythical being.

Expedito, after being abandoned by his parents, became Zefa's adopted son until he became a man and started earning his living as an independent fisherman. As soon as he finds out that Zefa is very ill, Expedito runs back home and finds his adoptive mother in agony. At the edge of the bed, a mysterious woman, who claims to be Death, sits.

On December 31st 1999, destiny brings a fugitive prisoner and a depressed middle class teacher together, as the new millennium approaches bringing hope to everyone.

Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.

Inspired by the life of the french-born photographer and ethnographer, Pierre Verger, the movie follows his journey between Bahia, Brazil and Benin, Oriental Africa, showing places and people he met and his life study project: the Candomblé culture.

Brazilian outback, cowboys preserve their age-old customs, communicating with their cattle in a form of plaintive singing known as Aboio. The chant resounds an improvised, ancient form that is an entrance to the life and the imaginary of the ancient Brazilian cattle drivers.

Galanga, king of Congo brought to Brazil as a slave, finds gold in Vila Rica, in the State of Minas Gerais, and buys his enfranchisement, the properties of his former owner, and his companions' freedom, becoming Chico Rei, the first black man to own lands in Brazil.

Early collaboration between Chang Chan-tang and Christopher Doyle documenting the friendship of their inner circle in Taiwan during the early 80s.

"On the Road" has neither script nor narration. It only includes music and percussion by Nana Vasconcelos and Ralph Towner, as well as singing and lute music by a blind woman. The counterpoint and interweaving of these passages in time seem to communicate the transmigration of life and the flow of time. Birth and death move in a cycle like the eternal earth, and people can only constantly walk along the road.