Karafil Shena

In the mountains of Northern Albania, a young man seeks revenge for his father's death. The murderer has disappeared a few months ago and the police is still looking for him. The young man kidnaps the killer's only son and raises him up until he reaches his 16th birthday, when according to the Kanun, the Albanian law of revenge, a child becomes a man and he is allowed to kill or to be killed.

Margarita and her father, returning to Pylos, they will be confronted with the rapid tourist transformation of the place. Margarita will become the cause for those old friends of his to mingle again and claim a spot, in the shade of the plane tree, taken over by tourists.

On the border between Greece and Albania, Karafil searches for a tree he planted when he first emigrated five decades ago. However, without any clear memories of the initial crossing, the search proves harder than he ever imagined.

A 35-year old man, just released from jail, decides to make a clean break from the big city and his troubled past. He retreats to the abandoned village his father came from and moves into an old, collapsing house. Alone, far from the bigger village and doing petty jobs to survive, he will strive to find himself once more. Amidst a haze of suspicion and scorn by villagers who treat him an intruder, his past catches up to him in the form of his girlfriend from Athens. Conflict is inescapable

Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.

A railway crossing in the middle of nowhere. Two guards: solitary Yiannis who never leaves his post and cool Antonis who goes with the rhythm of the landscape. Every once in a while, a voice announces the passing of a train. The two guards manually lower the bars. Nothing seems to stir their daily routine until love charges in, crushing all certainties.

Flora, a journalist in a Western country, comes to her homeland to trace the early life/identity of Mother Teresa or Anjeza Gonxhe Bojaxhiu, to produce a feature. But soon she will face the surprise of her own identity. Two different lives, in search of their identities, so badly effected by the past, during the communist system.

Two people meet up in jail when they come for monthly visits of their spouses. They fall in love after becoming witnesses to a wedding in jail but their relationship has to end because both their spouses get amnesty from the government.