Angelo Curti

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

Two men, both named Antonio Pisapia, see their lives go downhill in 1980s Naples. One is a crooner embroiled in a sex scandal; the other is a football player whose career is cut short by an injury.

The portly meter reader Crecenzio is first seen blowing up a building. The reasons for this drastic, desperate act provide the basis for the story, which is told in flashback.

Lugano, Switzerland. Titta Di Girolamo is a discreet and sullen man who has been living for almost a decade in a modest hotel room, a prisoner of an atrocious routine, apparently without purpose. His past is a mystery, nobody knows what he does for a living, he answers indiscreet questions evasively. What secrets does this enigmatic man hide?

A voyage, from the Po river to Sicily, in search of the sense of culture for the italian population

When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged parent's secret life, she'll face the hidden memories that shaped her family history.

The human and artistic adventure of the creation of "Elvira", the show by Toni Servillo produced together with the Piccolo Teatro of Milan, based on the lessons of Louis Jouvet at the Conservatory of Dramatic Art in Paris in 1940. The authors' gaze follows Servillo and his young companions from their departure at the Venice Biennale to their arrival at the Théâtre de l'Athénée in Paris, via Naples and Milan.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

In a landscape of fields and ruins, a group of figures move together, humble and mythical, poetic and popular. They are the characters of a Don Quixote reconstructed within multiple temporal dimensions and different imaginary horizons. Armed with a shield and spear as well as a profound knowledge of 20th-century literature, the Hidalgo of La Mancha comes back to life among pylons and wind turbines, unfinished buildings and archaic sculptures, accompanied by an ironic and sly Sancho Panza. Entrenched with courage in a crazy vision of the world and art, populated by angelic women and storytelling magicians, the knight errant comes to meet death and accept the inevitable mediocrity of reality.

A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.

The Divine Comedy, in particular Hell, becomes a nativity scene and therefore life in the visions of the trans-avant-garde artist.

Giancarlo, a young Neapolitan animated by a great passion for journalism, is called as a correspondent in Torre Annunziata for the newspaper IL MATTINO. He begins to investigate the underworld and despite the difficulties he doesn't give up. His intuitions take him so far that the clan leader Gionta considers him too uncomfortable a character. The film reconstructs the last days of the life of the Neapolitan journalist Giancarlo Siani, killed by the Camorra in September 1985. It does so with the participation that a friend like Fiume had of Siani and with the courage to face a narrative that is absolutely different from the one of the debut film "Isolde".

Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.

A young Moroccan immigrant, living in southern Italy, escapes from his forthcoming wedding to the daughter of a local Mafia member to a hotel where he remains in hiding with his true love.

Mario Martone films the eponymous stage show by Enzo Moscato.

On the islet of Procida near Naples, Italy, the Mystery Procession commencing at dawn on Good Friday of each year, has been traditionally conducted by the “Turchini Fraternity” since 1627... The film captures portraits of Procida’s inhabitants during the procession and in effect reveals characteristics of the Italian people.