Angelo Curti

Lugano, Switzerland. Titta Di Girolamo is a discreet and sullen man who has been living for almost a decade in a modest hotel room, a prisoner of an atrocious routine, apparently without purpose. His past is a mystery, nobody knows what he does for a living, he answers indiscreet questions evasively. What secrets does this enigmatic man hide?

Two men, both named Antonio Pisapia, see their lives go downhill in 1980s Naples. One is a crooner embroiled in a sex scandal; the other is a football player whose career is cut short by an injury.

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged parent's secret life, she'll face the hidden memories that shaped her family history.

In a landscape of fields and ruins, a group of figures move together, humble and mythical, poetic and popular. They are the characters of a Don Quixote reconstructed within multiple temporal dimensions and different imaginary horizons. Armed with a shield and spear as well as a profound knowledge of 20th-century literature, the Hidalgo of La Mancha comes back to life among pylons and wind turbines, unfinished buildings and archaic sculptures, accompanied by an ironic and sly Sancho Panza. Entrenched with courage in a crazy vision of the world and art, populated by angelic women and storytelling magicians, the knight errant comes to meet death and accept the inevitable mediocrity of reality.

A voyage, from the Po river to Sicily, in search of the sense of culture for the italian population

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

The portly meter reader Crecenzio is first seen blowing up a building. The reasons for this drastic, desperate act provide the basis for the story, which is told in flashback.