Hillary Wolf

Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.

Teenage Nan Davis is left paralyzed in a car accident and has a tough time accepting her new wheelchair-bound life. One day she hears about new research by Dr. Jerrold Petrofsky, about using external electric stimulations to enable paralyzed people to use their frozen muscles. She enters the research as a test subject and gets her reward when she walks up to receive her college diploma.

A girl fed up with her quirky, dysfunctional family runs away from home, causing all of them to spend time with each other.

Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. When thieves try to break into his home, he puts up a fight like no other.

This is the story of a minister who's feeling unhappy in his marriage who then has an affair with a church employee, who is also married, and who also has affairs, and whose husband is unwilling to divorce her. One day the minister's wife is found dead, in what appears to be an auto accident, but the highway patrolman who investigated the accident doesn't think that it's an accident but doesn't have enough evidence to justify an investigation. Later, when the woman's husband is killed an investigation begins.

When single mom Kay Harris inherits a failing small-town diner, her eccentric Aunt Zena attempts to liven things up with a 'ghostly' practical joke. But when Zena suddenly suffers a stroke and her spirited prank is mistaken by the townspeople for a spiritual vision, Kay soon discovers that it'll take a real miracle to bring her community and her family back together!

Eight-year-old Kevin is accidentally left behind when his family leaves for France. At first, he's happy to be in charge; but when thieves try to break into his home, he puts up a fight like no other.

Two identical cars pull up to a restaurant, one belonging to a childless couple who are taking care of their niece and nephew while their parents are away, who are out on a Sunday drive. The other belonging to a guy who is on his way to meet his fiance and to begin working for her father. In his car is his dog, whom the couple mistake for the children, when they get into his car and drive. While he goes into their car and the children are under a blanket and he mistakenly assumes it's his dog. When they discover the mistake they are both so far away from each other that they don't know what to do.

A miserable man who doesn't believe in the holidays must contend with his 11 children and wife celebrating the most wonderful time of the year.

When the Burkes loose their jobs in New York, they have to move to Arizona, where Tom has an job-offer in the management of a small company for children's clothing. Unfortunately Tom's new boss Sirus Lovelin turns out to be extremely fond of the traditional American family and automatically assumes Amanda to be housewife and mother - but the Burkes don't even have children! To not offend him, they "hire" two kids they met prowling the streets. When they turn out witty, but nasty and impertinent, the Burkes want to rid themselves of them, but are entangled already too deeply in their lie...

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

I'll Take Manhattan is a 1987 American television miniseries, adapted from Judith Krantz's novel of the same name. Screened by CBS, it tells the story of the wealthy Amberville family, who run their own publishing company in New York. After Zachary Amberville, the patriarch of the family, dies, the company is taken over by his unscrupulous brother Cutter. Zachary's children, especially his energetic and intelligent daughter Maxi, begin a battle to regain control of the father's company. I'll Take Manhattan was the highest-rated miniseries of the 1986–87 US television season with a 22.9/35 rating/share.