Sergey Kolesnikov

Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.

A rogue submarine captain pulls together a misfit crew to go after a sunken treasure rumored to be lost in the depths of the Black Sea. As greed and desperation take control on-board their claustrophobic vessel, the increasing uncertainty of the mission causes the men to turn on each other to fight for their own survival.

Paul is agonising over his interpretation of 'Uncle Vanya' and, paralysed by anxiety, stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. He enlists their services—only to discover that his soul is the shape and size of a chickpea.

Max is a young and nimble provincial, not particularly burdened by morals and principles, energetically making a successful career in Moscow. He works in a recruitment agency, and his specialization is to fire top managers, help squeeze out shares in companies, and similar routine business issues. Max’s next task is to get rid of Georgy, the chief programmer of a large IT company. At first glance, work for a couple of days, because who is Gregory? A bearded boy under 40, the embodiment of simplicity and harmlessness. But it turns out that this is a unique case, and it is incredibly difficult to fire Gregory. Especially considering what a charming half-sister he has. Max has to go through a lot of funny, touching and dangerous trials that will help him understand that there are other values in life besides career, money and real estate.

Based on Anatoly Tobolyak's story "The Story of One Love" (1975). Newlyweds Sergey and Katya, who graduated from school only a few months ago, come to Siberia to work. Life is not quite well, but love helps to overcome adversity.

The history of the confrontation between two worlds: the Grand Duchy of Moscow and the Ural Parma, the ancient Perm lands inhabited by pagans. Here heroes and ghosts, princes and shamans, Voguls and Muscovites will clash. At the center of the conflict of civilizations is the fate of the Russian prince Mikhail, who fell in love with the young Tiche, a witch-lamia capable of taking on the form of a lynx. Passion for the pagan and fidelity to forbidden love, a campaign against the Voguls, bloody battles and a short peace, the battle between Muscovy and Parma, the hero will face trials in which it is not so terrible to part with life as to commit treason.

A play by Sergei Mikhalkov based on the story by Mark Twain, staged by the Moscow Art Academic Theatre named after M. Gorky. London, mid-16th century. Two boys are born on the same day — Tom, the son of a thief, John Canty, living in a foul alley called the Court of Filth, and Edward, the heir to King Henry VIII. All of England awaits Edward's birth. Tom, on the other hand, is barely wanted even by his own family.

The thirties, the heyday of Soviet film production. The story of the famed couple's glory — a filmmaker and actress, behind the external well-being of which were hidden strange contradictory relationships and a sense of fear that they carried through their whole lives. The prologue to this story is the 85th anniversary of Lidiya Polyakova, the formerly brightest star in Soviet cinema, who played the main role in all the films of her own husband, director Konstantin Dalmatov. Now in the courtyard there are other times, Dalmatov’s movies are called ideological agitation, and the director himself and his wife are hiding from the world in the country, trying not to let anyone in.