Brian Lindstrom

Eliza D'Amico thinks her marriage to Louis is going great until she finds a mysterious love note to her husband. Concerned, she goes to her mother for advice. Eliza, her parents, her sister Jo, and Jo's boyfriend all pile into the station wagon and go to the city to confront Louis with the letter. On the way, the five explore their relations with each other and meet many interesting people.

An mad, unhinged chef and his futile attempts at killing a cockroach in a restaurant kitchen. This film takes its cues from the giant-insect films of the 50's such as "Them!" (1954) and a nod in the direction of Kafka's "Metamorphosis."

The never-before-told story of folk-rock icon Judee Sill, who in just two years went from living in a car to appearing on the cover of Rolling Stone. The documentary charts her troubled adolescence through her meteoric rise in the music world and early tragic death. Featuring Linda Ronstadt, Jackson Browne, David Crosby, Graham Nash, Fleet Foxes, David Geffen, and more.

Lindstrom’s powerful documentary takes an unflinching look at the daunting difficulties in overcoming addictions and the dynamic within Portland’s Central City Concern’s recovery mentor program. With a 70% success rate, the program’s strength lies in its ability to promote a strong sense of community and connectedness with peers and mentors, all former addicts committed to helping others as they help themselves. “The film is raw and real, filled with undeniable moments of pain and elation and human personality. It’s impossible to imagine a more honest look at this all-too-common world.”—Shawn Levy, The Oregonian.

What happens when a mother of small children is “put on a time out”? At Oregon’s Coffee Creek Women’s Prison, the Family Preservation Project (FPP) helps inmates hone their parenting skills as it facilitates regular family visits. While imprisonment is hard on both prisoners and their families, Mothering Inside demonstrates that not all is lost when the prison helps sustain the parent-child relationship. Shooting in a verité style, filmmaker Brian Lindstrom strives for unobtrusiveness as he records what he observes, uncovering the story along the way. Before our eyes, Lindstrom’s work morphs into a piece of advocacy. In the midst of filming, the Oregon Department of Corrections announced it would stop funding the FPP, and the viewer shares the heartbreak of the mothers suddenly faced with the prospect of losing their children all over again. (An end card notes that the program was rescued from the budget knife, but perhaps only temporarily.)

Explores the fantasies of a young man obsessed with his ex-lover.