Josephine Baker

An intimate look at the life of international icon Brigitte Bardot. With exclusive access and the full support of Brigitte Bardot and her team, we will uncover her life, with its hardships, trials and struggles, her work and her legacy.

Marquis Sévéro, a rich, lazy Parisian, wants to divorce his wife so that he can marry his own goddaughter Denise. But Denise herself loves André Berval, an engineer employed by the marquis. Filled with jealousy, the marquis sends André to the Antilles, to prospect some land he has just acquired. He promises André that he can marry Denise if he is successful in the tropics, but he then writes to Alvarez, his manager at the site, asking him to prevent André from ever returning to France. The brutal Alvarez forms an instant hatred for André when the engineer breaks up Alvarez's attempt to rape Papitou, a beautiful native girl. Papitou becomes devoted to André, and protects him against Alvarez's schemes. But she faces a crisis herself when she learns that André plans to marry Denise.

A French novelist passes off an African shepherdess as a princess.

Cabaret star Zazu intervenes when young lovers are sundered by their parents' feud.

Explores the remarkable life and career of Donyale Luna, one of the first Black supermodels who graced the covers of both Vogue and Harper’s Bazaar in Europe.

A storm of Modernism swept through the art worlds of the West in the early decades of the twentieth century, uprooting centuries of tradition. The epicenter of this storm was Paris, France. For an incandescent moment from 1905 to 1930, Paris was the magnetic center for radical innovation and experiment, and the Mecca for creative talents who would change the course of art throughout the Western world.

"Ten on Every Finger" (German: "An jedem Finger zehn") is a 1954 West German musical comedy film directed by Erik Ode. The story centers on a revue dancer named Margit Rameau, played by Germaine Damar, who falls in love with composer Bert Martin, portrayed by Erich Auer, but their romance is hindered by misunderstandings and busy schedules until they reunite during a local revue performance. The film is structured as a musical revue featuring numerous guest stars performing as themselves, including Josephine Baker in her final on-screen film role, Hans Albers, and Kenneth Spencer