James Neill

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

Leila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

In planning to break into the house of the wealthy Bob Van Dyke, Jenny's stepfather decides that his stepdaughter should do most of the dirty work, and Jenny, not wanting to disappoint him, grudgingly agrees. As soon as she enters the house, Bob catches her, but then goes back to his bedroom after making her give her word not to take anything. Jenny breaks her promise...

As the Civil War begins Ned Burton leaves his Southern love Agatha Warren and joins the Union army. He is later protected and saved from death by Agatha in spite of her loyalty to the South.

John Trimble has embezzled and obtains another identity by having a mutilated body buried in his place. He is later arrested for murdering himself. During the trial his mother, before dying from shock, asks him to keep his identity secret since his wife is now married to the Governor and expecting a child.

Cooper is a Union Army officer who after being jilted by girlfriend, Virginia Bruce, volunteers on what could be a suicide mission. He volunteers to go behind enemy lines disguised in Confederate gray as a staff officer to Robert E. Lee. He's to ride to a certain plantation which is a local brigade headquarters and deliberately let himself be caught with maps showing false Union troop positions. Of course, the penalty, then as now, is execution.

A fur smuggler's daughter asks to accompany him on his trip to the US to sell his furs. She falls for Robert, a young man who has recently been dumped by his girlfriend for a rich man. She and Robert fall in love, but her father suddenly takes her back to Canada to avoid tax agents. Robert searcher for her for a year, and when he finally finds her, he must fight both her father and her father's gang for her. Complications ensue.

William C. DeMille adapted his screenplay for The Woman on the stage play by DeMille's father Henry and David Belasco. The story is set in Washington D.C., courtesy of the Lasky Studio's scenic department. Lois Meredith plays the title character, a woman of questionable morals currently involved with young politician James Neill. Political boss Theodore Roberts hopes to ruin Neill by making public the young man's romantic entanglements.

Madison Hale, a wealthy American financier, is bidding against Govrian Texler, the financial advisor to the King Stephen III of Maritizia, for the concession to run a transcontinental railway through the country. After Madison's son, Dick, completes his college education, he decides to visit Maritizia, the birthplace of his great-grandfather. There he meets Princess Irenia and they fall in love, arousing the jealousy of Ferdinand Vaslof, Govrian's nephew, who is also in love with the princess.

Esra Kincaid takes land by force and, having taken the Espinoza land, his sights are set on the Castro rancho. Government agent Kearney holds him off till the cavalry shows up and he can declare his love for Juanita, called “the Rose of the Rancho.”

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

Paul Bonard an artist, loses his memory when he receives a blow on the head from one of two apaches fighting over Wildcat, a sultry stepper in a cafe. He becomes an apache himself, falls in love with Wildcat and paints her portrait--his masterpiece. Wildcat learns Paul's identity and restores him to his family, though realizing that she will lose him. Surgery restores Paul's memory, but some subconscious force guides him back to the cafe and Wildcat's love.

A Scots-Irish lad comes to America hoping to find his fortune. On the sea voyage he meets and falls for a lovely young girl, but they are parted on arrival. Years later, in the Kentucky town where he has settled and prospered, he meets the girl again, and both sparks and complications arise.

Dick Tavish, a young New Yorker, decides that there is money in cows, and he buys a western ranch. When the novelty has worn off he decided there is monotony as well. Then he falls in love with a girl on a calendar, and life takes on a new interest, particularly after he discovers who the girl is. The fact that her uncle swindled him on the ranch does not matter. He figures he can take care of the uncle, and he does, but not until he has been forced to masquerade as a woman, and have half the men at a fashionable resort fall in love with him.

A silent drama film directed by James Young

Edward Abeles and Theodore Roberts as a couple of prospectors who get involved with greedy city types on a business trip to New York.

A young girl living a secluded and unsophisticated life is suddenly thrust into a great wealth and a frightening social whirl.

Lewis Vickers accidentally kills a man and goes to Central America. Here he meets Robert Lee, who bears a remarkable resemblance to him. Lee is a worthless young chap whose father is anxious to have him return to the United States. On his death bed Lee turns his papers over to Vickers and begs him to assume his name. Arriving in New York, Vickers goes to the Lee home as Robert Lee, and discovers that the dead man has willed him a badly blotted past that includes a wife and two children and a large collection of debts. He also finds a beautiful adopted daughter in the Lee household and promptly falls in love with her. The only way he can stand any chance of winning the girl is by telling the truth about himself.

Sato (Sessue Hayakawa) faithfully works for importer James Thornton (James Neill). When the old man dies, he leaves his daughter Mildred (Vivian Martin) in Sato's care. Sato loves the girl, but as he is Japanese he cannot hope to ever marry her (at least not in the racially prejudiced era of the early 1900s). Besides, Mildred loves Harry Maxwell (Tom Forman), who was raised alongside her.

Fishermaid Marcia Manot finds an emerald which once belonged to a Norse queen and is cursed. Greedy American Silas Martin marries her, then sets her up for divorce. She kills him and weds his business manager Sterling, but a detective learns about Silas' death.

A married couple, each in love with another, attempts to unentangle themselves from their marriage in order to be with the one each truly loves. But the more they untangle one knot, the faster more confusing knots appear.

An orphan endures a harsh life in a workhouse before fleeing to London, where he falls in with a gang of juvenile pickpockets led by the criminal Fagin, and eventually finds a better life, exposing the cruelties of poverty and child labor in Victorian England.

Corinne d'Alys (Daniels) achieves sudden success on the stage and among her many admirers is noted artist Robert Townsend (Menjou). Robert is married to Elsa (Williams), the sister of John Elliott (Stone), the producer responsible for Corinne's rise to fame. The young woman's head is turned by the praise she receives and, despite John's warning against Robert, she permits the latter to paint her portrait and pay her a good deal of attention. John himself loves Corinne and believes that wisdom will come to her with time.