Steindór Hjörleifsson

Emily is a young boy that dreams about owning a dog and he starts working so he can save up to buy one. Meanwhile his family are dealing with money problems.

Middle aged bourgeoisie couple lives a loveless life along with their beautiful eighteen year old daughter. The man has a passionate desire for the girl who in fact is not his real daughter but the fruit of an affair of the woman early in the marriage. This leads to tragic events.

A man's struggle fighting the system he lives in.

12 hours in the life of a young man who has just received bad news which change everything.

The Icelandic Shock-Station is a thoroughbred Icelandic comedy, where the Icelander's daily life and habits are elevated to the level of farcical confusion and where all the laws of common sense are reversed in travesty of themselves, while at the same time the opportunity is taken to satirize some of the features the scriptwriter feels are blemish on the otherwise smooth facade of the nation's character.

The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son. Discovered by the dubious Feilan, manager of the nightclub “Silver Moon,” she’s cast as his emblem of purity for the club’s jaded clientele, only to find her talent erased and her performances reduced to humiliation. In the same production, Gunnlaugsson also modernizes Lilja’s 1933 short story “Fótatak manna,” relocating its 1920s setting to the present: medical students exhume the body of a poor, friendless man in the name of science, callously stuffing his coffin with rocks.

A group of school kids on a ski trip start hearing startling news from the radio.