Alan Moore

To prevent a world war from breaking out, famous characters from Victorian literature band together to do battle against a cunning villain.

Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.

Earth is decimated after intergalactic tyrant Darkseid has devastated the Justice League in a poorly executed war by the DC Super Heroes. Now the remaining bastions of good – the Justice League, Teen Titans, Suicide Squad and assorted others – must regroup, strategize and take the war to Darkseid in order to save the planet and its surviving inhabitants.

Out hiking, Special Forces Brenner Baker stumbles onto a Cartel's compound. Her husband's killed and she's left for dead. The Cartel made two mistakes, killed her husband and left her alive. They won't live to make another.

Alan Moore's intensely poetic and innovative work of biography maps the lifetime of author, orientalist and occultist Steve Moore.

Alan Moore, the genius 2000 AD writer behind WATCHMEN, THE LEAGUE OF EXTRAORDINARY GENTLEMEN, FROM HELL, CONSTANTINE and V FOR VENDETTA invites you into his extraordinary world with a new motion picture experience. While several of Moore’s stories have become Hollywood blockbusters, he has never previously written specifically for the screen. Until now. Created with his close friend and internationally acclaimed photographer Mitch Jenkins, comes an interconnected trilogy of terror. ‘Act of Faith’ finds a young woman looking for the next step in sexual excitement and unfortunately finding it. ‘Jimmy’s End’ tails a serial philanderer down a dark alley into a very unusual club where the top-billed attraction is The Bare Brides and their Danse Macabre and ‘His Heavy Heart’ reveals the horrifying price paid for his adultery. Clown abuse, need we say Moore!

A man goes on a mission to locate a stolen artifact for a client, which leads him to a haunted town full of vampires, sleeping beauties, and Voodoo gangsters.

Picks up the narrative of the hapless James Mitchum from a point following his dreadful realization at the conclusion of Jimmy’s End. In a grotesque parody of Egyptian funerary rites, James is shepherded less than gently into his unenviable afterlife.