Staffan Lamm

"King of Saboteurs" - Ernst Wollweber, German communist, active in Sweden during the Second World War, eventually Stasi commander in the GDR, finally purged and forgotten. Ernst Friedrich Wollweber (1898 - 1967) was State Secretary of State Security from 1953 to 1955 and Minister of State Security of the German Democratic Republic from 1955 to 1957. He rose quickly through the party ranks and by 1921 had become a member of the KPD's Central Committee and Political Secretary of Hesse-Waldeck. When the KPD was outlawed in Germany after the Reichstag fire of February 1933, Wollweber was forced to flee to Copenhagen and later to Leningrad. From 1936 to 1940, Wollweber organized the "Organisation Against Fascism and in Support of the USSR", better known as the Wollweber League. After World War II, Wollweber returned to Germany and joined the Socialist Unity Party of Germany in 1946.

A young man comes to Stockholm, Sweden and experiences several bizarre and surrealistic situations.

The work of strippers in the Phoenix Club of Old Compton Street, Soho. Includes interviews with the girls, the stage show and backstage scenes.

A personal film essay on some Swedish outsider artists. Staffan Lamm retells how he encountered their work, which happened over a period of more than forty years, and what it meant to him.

A fascinating, unsettling study of immigration in 1960s English cities.

A documentary film about the 99 year old artist Anna Casparsson. She is interviewed by Peter Weiss in her home in Saltsjöbaden. “I shot 'Anna Casparsson' together with Staffan Lamm. I had wanted to complete the film, but somehow I did not get around to it and then she died shortly afterwards.” -Peter Weiss

The film documents the alternative festival, made to protest against the Eurovision Song Contest held in Stockholm 1975. There are many Swedish and international artists on stage, as well as some clips from speeches, riots, civil wars, and the people at the song contest itself.

A film about early separation, self-experienced loss and isolation, portrayed through my uncle Göran, who already at the age of seven was diagnosed as mentally ill and sent away. His absence fom my life, my fantasies about our similarities. My father’s disappearance, my absent mother who wholeheartedly worked with others in need.