Tom Guise

Cherry, the youngest daughter of Dr. Strickland, marries Martin Lloyd; and Peter, a neighbor who was in love with her, unhappily begins a world tour. Returning home, Peter finds that the doctor has died, leaving the older daughter, Alix, alone; and he marries her out of desperation. Cherry, unhappy with her marriage, leaves her husband and comes to live with her sister and Peter; learning that Peter still loves her, Cherry agrees to run away with him, but they are discovered by his wife and upbraided. Martin is injured in a logging camp accident, and Cherry, realizing that she still loves her husband, goes to him. Peter resolves to free Alix, but she forgives him and they agree to start anew.

When John Conroy's wife takes his infant son Jack and runs away with another man, Conroy becomes a tramp and goes to Alaska. Fifteen years later, he returns and learns that his son Jack is being coerced into marrying Edith Wyatt, the daughter of a congressman, in order to further the political ambitions of his stepfather, Mayor Horace Manners. Conroy makes friends with the boy, who is unaware that the congenial tramp is actually his father. Jack loves cobbler's daughter Beth Stafford, and when Conroy discovers that Manners plans to frame Jack for the loss of city funds and thus scare him into marriage with Edith, he intercedes and insures that his son receives both his rightful inheritance and the woman whom he loves. After securing the boy's happiness, Conroy slips away without revealing his true identity to his son.

Hotheaded Jeff De Croteau wins a horserace, shoots a poor loser who has insulted him and escapes across the state line.

At a lavish house party, bank president Robert Andrews stages his own “murder” to distract a visiting bank examiner from uncovering a shortage, setting off a whodunit where nearly everyone has a motive. The investigation spirals until Andrews is found alive and admits the frame-up—after the deficit is repaid. A silent black-and-white Universal mystery-melodrama-comedy directed by Herbert Blaché; long thought lost, a print resurfaced in 2017.

Bessie Wheaton returns from Europe to find her nouveau riche family has adopted and magnified the worst characteristics of the upper class. Her father spends all of his time at the club, her mother cultivates snobbishness, and her sister thinks only of marrying into royalty. To shake them out of their aristocratic poses, Bessie decides to reflect all of their faults, becoming as lazy as her father and as status conscious as her mother. She even rejects her own sweetheart, Allan Shelby, to lure Count d'Orr away from her sister. Finally, the members of the family confront Bessie, and she angrily tells them that she was only mirroring their behavior. Bessie then runs away, but Allan, with whom she quickly reconciles, brings her back, just as her family acknowledges its recent burlesque of the upper crust.

When eccentric Colonel Wynn threatens to kill Joe Benson if he marries his daughter Dorothy, the couple wed secretly. Their honeymoon at a resort is interrupted by Barbara Dow, a friend who threatens to expose the marriage unless Joe announces that Barbara is his wife.

Marcel Murphy, a telephone operator with society aspirations, overhears Mrs. Benson's conversation describing a party she is planning for her son, Ralph, and wangles an invitation by imitating Mrs. Benson's voice. At the party a maid accuses Marcel of the theft of another guest's jewelry, but she appeals to Mr. Benson, who covers up for her by describing Marcel as the daughter of an old friend and by secretly installing her in a hotel suite.

The queen of a mythical European nation flees to America when a general threatens to overthrow her government.