Acting

Elizabeth Gale

No biography available.

Known For

Intermezzo - GlyndebourneIntermezzo - Glyndebourne · 1983
Intermezzo - Glyndebourne
8.01983
MovieMusic
Richard Strauss' Intermezzo is an autobiographical piece - a domestic comedy of marital strife, told in fourteen scenes. John Cox's stylish production is set in the 1920s and stars Felicity Lott as the volatile Christine Storch. The splended art nouveau settings by Martin Batters by evoke perfectly the luxurious lifestyle of Strauss' Vienna.
FidelioFidelio · 1980
Fidelio
10.01980
MovieMusicTV Movie
Sir Peter Hall's remarkably faithful interpretation of Beethoven's opera at Glyndebourne. Elizabeth Söderström plays Leonore, with Elizabeth Gale as Marzelline and Curt Appelgren as Rocco.
Don GiovanniDon Giovanni · 1977
Don Giovanni
7.01977
MovieMusic
Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.
Monteverdi - L'Incoronazione Di PoppeaMonteverdi - L'Incoronazione Di Poppea · 1984
Monteverdi - L'Incoronazione Di Poppea
1984
MovieMusic
This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.
Beethoven's FidelioBeethoven's Fidelio · 1980
Beethoven's Fidelio
1980
MovieMusicTV Movie
Sir Peter Hall's remarkably faithful interpretation of Beethoven's opera at Glyndebourne
The Yeomen of the GuardThe Yeomen of the Guard · 1982
The Yeomen of the Guard
7.01982
MovieMusic
Colonel Fairfax has been falsely accused of sorcery by a jealous relative who covets his estates and money. The Colonel is condemned to death for his 'crime' and waits in the Tower of London for his execution. Fate, however, steps in - in the form of Sergeant Meryll (who owes his life to Colonel Fairfax) and Elsie Maynard, a beautiful strolling singer who has just arrived at the Tower to entertain the people in the company of a strolling jester, Jack Point.
Orfeo ed EuridiceOrfeo ed Euridice · 1982
Orfeo ed Euridice
8.01982
MovieMusicTV Movie
Made for TV movie version of the famous opera.
Orpheus in the UnderworldOrpheus in the Underworld · 1983
Orpheus in the Underworld
8.01983
MovieComedyMusic
Offenbach's popular comic opera poking fun at Greek mythology in english translation, staged for television by Christopher Renshaw.

Filmography

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Don GiovanniDon Giovanni · 1977
Don Giovanni
7.01977
MovieMusic
Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Zerlina (soprano)