León Siminiani

Pilar and Manuel are getting ready for what should be a night of celebration and glamour. It should. But they take too long sweeping their relationship under the red carpet...

Honeymooning with her husband Ben, Nina returns to the Caribbean island she left years ago for a new life. The two enjoy perfect love on a deserted beach until the past catches up with them.

Guatemala, in the 80s. The worst days of the Civil war. Andrés is 9 years old. He lives with Pedro González, one of the men who massacred all the women and children in his village. Andrés has survived, but he's scared. Pedro's wife, María, is also scared, scared to go out, scared to lose Andrés, whom she considers as "her new son" - even Pedro is scared, scared of himself and what the Army bounds him to do. Andrés would like to run away but he also wants to stay in his new family - until his sister appears.

Audiovisual essay on the term "suburbia" in Spain, far removed from the aspirational ideal of the Anglo-Saxon world. This project was created for the CCCB's Suburbia exhibition.

A subjective audiovisual essay on the ideas of work and rest in the modern era, for which traffic between distant places where the individual performs both practices is necessary, always under the prism of the "American Dream". An unofficial and classified version of rush hour and its consequences on the life of modern man.

Their relationship is idling. The playfulness is gone. Then one day they see another couple in an apartment across the street.

In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.

A young Spanish director is fired from his job in television. Taking up his dream of making films, traveling to India to "find" his first feature to discover his real quest is not in India but in Madrid. However, on his return home, things do not go exactly as he had hoped ... Recorded over several years with very limited budget, the film asks, as a "film-diary", daily situations of the filmmaker's life, recorded during that time and narrated in the first person.