Jorge Torres-Torres

The rivalry between two former college friends comes to a head when they both attend the same glamorous event.

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.

Sensing evil, a haunted house tour guide seeks a medium's help only to be warned that she is facing a vengeful power beyond her control.

A young woman finds herself stranded on an island among wild horses and drunken outcasts without any recollection of how she got there or who she is.

Stuck in a dead end town, young James kills time with his druggie friends, engaging in debauched chemical intake to the point of unconsciousness, until he meets Sara, a sweet new arrival to their group. However, Sara wants James to take her further into the world of narcotics experimentation (just as James was contemplating abandoning this lifestyle), and she also wants him to introduce her to the sinister local legend of Toad Road, a spot deep in the forest that is apparently home to the Seven Gates of Hell.

Behind the mask of Mardi Gras, something sinister stalks the streets of New Orleans. Filmed on-location during the final days of Carnival, a group of friends is preyed upon by a mysterious killer.

A dystopian southern sludge that transgresses even the gothic sensibilities that exist just below the surface of the social fabric of the deep Louisiana culture visible here. Following the sudden death of their friend Shep, Kristopher and Ryan quickly grow less attached to reality. As they wander the southern landscape of Louisiana, they descend into a state devoid of hope and order; a place where life and death are one and the same; a land where we are all doomed. The aesthetic artifacts of the video tapes and the vernacular wanderings caught on them present a rip-it-up-and-start-again style montage of life caught in the vise of western culture at the dead end of of the first world.

A cautionary tale about the perils of independent filmmaking.

Inspired by an episode of Cops, Hillbilly Wolf follows Dennis, a societal misfit / holy boy who lives in a small town in the Bible Belt region of North Louisiana. Troubled by unemployment, poverty and the death of his dog, Dennis copes with his anguish by believing in the salvation of the hereafter. His tendency toward violence, however, has made him a menace, ensuing in a meditated and desperate religious quest to escape this world.

This is the story of a 12-year-old girl working hard to overcome a troubling past and accept and embrace the love and possibility that now surround her. Born as Brianna to a drug-addicted mother, she and her baby brother lived in harrowing conditions before being adopted by a young couple fully invested in raising their children to be whole, happy and strong.

A woman creates an alter ego in hopes of overcoming the trauma inflicted by men in her life.

Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim's dead-end present and Brandi's traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim's world dares to see through to the human core of a drug addict or clinically depressed clown.