Xawery Żuławski

A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

Fed up with pandemics, quarantines and news about ecological disasters, worried about their own uncertain future and the fate of the world, a group of high school students are invited by Kamil, a millionaire's son, to a party at his father's seaside residance.

Second part of a short film project, where every single short film is only allowed to cost 99 Euros. This time there are not only German filmmakers, but directors from all over Europe involved...

A biopic about Jerzy Kulej, a two-time Olympic champion and one of Poland's greatest fighters. The film is set between the Olympics, when Kulej wins his first gold and goes for a second.

An aggressive thug has problems with his girlfriend. Over the course of several chaotic days he walks around the hood, takes drugs and confronts himself with other women.

A picture of the broken world at the end of the century. A couple of contemporary young Polish intellectuals, artistic souls. They are sensitive beyond mediocrity, hence the daily hustle and bustle is not an excuse for them to live: they want to give it a meaning and shape of their own choosing. They search for their "roots", only to find out once again that, apart from natural tenderness, they have nothing in common with their families. There is no question of rebellion, of generational strife. Today's 30-year-olds face only technical, not sentimental, obstacles; childhood memories of parents not seen every day sink in, the image of a child living apart indifferently.

Karol sits for hours in a wardrobe in a rented room on the attic, looking back on his whole life. He was brought up by a single mother who loved his only child with a sick desperate feeling and limited all his world to her own person. Karol's tragedy began with his adolescence. It made his mother aware of her feminity that resulted in her new marriage. Together with a new husband she decided to send the boy to a school for retarded children. Upon leaving the school Karol starts to seek his longing mother who moved out, in a meanwhile, not giving any address.

The movie is about three brothers and a sister. The brothers include a would-be tough guy thug, a sleazy lawyer and an anarchist. The anarchist and the sister (Maria Strzelecka) have a thing for each other that is more than just sibling affection. Each of them is facing a problem of their own making. A lot depends on how they deal with their issues, as there isn't much lower they can stoop other than being dead. In the beginning of the film there is a lot going on, which makes it a little hard to follow, but that goes along with the theme of chaos.

Set in Szczecin, Poland, the series begins after the body of a young woman is discovered under the melting ice. It asks ‘Who was she? Why did she die? Who did she leave behind?

True Law is a Polish legal drama television series directed by Maciej Migas and featuring Agnieszka Dygant as the title character, Agata Przybysz. It premiered on TVN on 4 March 2012. The plot is set in Warsaw.

The dark world of crime: murders, racketeering, drugs, kidnappings. There are no rules here. Working in this world makes cops cynical and ruthless. There is a fine line between them and criminals - will any of them cross it? The main characters are officers from the Department for Counteracting Criminal Terror and Homicides. The action of the series is an extension of the threads that appear in the feature film. It presents in a realistic way the brutal and dark world of crime that officers encounter on a daily basis. They're not just tracking down murderers. They fight racketeering, kidnapping, drug trafficking while struggling with their own day to day life and problems.

Sometimes, a single unexpected event can irreversibly alter one's life. What would happen, if one day you were to wake up and discover, that you don't know who you are, who you love or care about? Is fate cruel enough to take everything, including your identity and memories? How can you piece together your new life, when you're missing the building elements of who you are?

Two childhood best friends enjoying their final seaside summer as they prepare for film school meet an aspiring athlete who ignites unfamiliar desires.

*Blood for Blood (2012)* follows Job, a methodical Dutch undercover cop whose life shatters when his wife is murdered. Consumed by grief and disillusioned with official justice, he goes rogue. Using his expert skills, he infiltrates Amsterdam's brutal drug underworld alone, not to enforce the law, but to hunt his wife's killers. As he descends, the line between cop and criminal vanishes in this tense thriller about the corrosive, transformative power of vengeance.

Spring 2020, Poland. 16 filmmakers create 14 short films about unexpected experience of isolation caused by pandemic.