Zygmunt Konieczny

Story of a tragic love triangle that develops between a mother daugther and a farmhand. A good-looking widow lives alone on a farm with her teenage daughter. Their neighbor occasionally helps them in the farmwork. He would have eventually married the mother, but the daughter tries to seduce him at all costs. He becomes the lover of both women, but eventually runs away leaving the mother shattered and the daughter pregnant.

As every year, the celebration of All Saints Day brings Polish families together at the graves of their loved ones. On this special day Maria, 80-year-old widow, visits the graveyard with her son, his wife and their children.

Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.

Two intellectuals, a writer and a director, begin to play a mysterious psychological game in a peaceful countryside manor house during the Nazi occupation.

On the road wandering minstrel finds a mare, which, upholstered and sickly, is dying. He buries mare and casts a curse in the village where the animal was tortured. In the village lives Jańcio, a philosopher, a man loving life and his young wife, Weronka. Jańcio lives in harmony with God and is not expecting that he will be put to the test by him. He is convinced he has the power to make miracles. He leaves his pregnant wife, and goes to see the world, promising to return before the due date.

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

Set in 1946, the film tells a story of a Polish villager returning home after years in a concentration camp. Mateusz is an old-timer, a saddler, who finds nothing but hostility when he makes it home after years away. He is not a Jew, though the villagers brand him one and give him a hard time. They feel guilty about the death of his son at the end of the war, and don't want the father around. In the background: beginnings of the Communist regime in Poland.

A middle-aged man sets out on a symbolic journey through past, present, and future to learn why an old friend committed suicide, and learns much about his own life along the way.

Jacenty is nearing the end of his days. However, he wants to go on his own terms, bargaining until the very end.

Set before the first World War in part of Poland under Austrian occupation, the story of a young boy in primary school who later grows up to become a rebellious, poetic-minded teen in the same school when the national movement toward liberation is under way. The story of a country where church and state work together to suppress the human spirit.

The peaceful world of a monastery, in a small town Jasmine, is destroyed by the arrival of monument restorers, Natasha, along with her daughter Eugenia. The legend associated with the monastery bode revelation in him a saint in the near future. Despite initial reluctance, Natasha starts the maintenance of the image stored there. The secrets of the monastery are unraveled: the unhappy lovers bodies placed in the catacombs, the secret elixir of love, created with the smell of the monks.

A former partisan now 38 years old remembers his childhood in the war.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

After the war, the community of mountaineers is eager to start their own sawmill. When the communist authorities come to take over the sawmill, a rebellion starts.

Cardinal Stefan Wyszyński is secretly abducted from the Primate’s Palace and sent into solitary confinement at Stoczek Warmiński, accompanied by Father Stanisław, recently freed from Rawicz, and Sister Leonia, coerced from Grudziądz, forming an unlikely retinue in his enforced exile. As state spies and the camp commandant conspire to break the Primate’s resolve, Father Stanisław risks everything to smuggle word of Wyszyński’s whereabouts to the outside, hoping to foil the regime’s darkest “third variant.”

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

A man seated next to the body of his young wife thinks about their brief life together. Suicide has been the only escape for her... Dumala's technique creates a dark, claustrophobic atmosphere, entirely suitable for Dostoyevski's novel "A Gentle Spirit" on which it is based.

A young man from the countryside fights against all odds to fulfill his dream of becoming an actor.

The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

Pernat finds himself in a police interrogation, accused of a murder, and unable to recall any details of the crime, or even his own life. He's released back into a world of raving lunatics and deranged dentists, murderous doctors and scientists who believe the secret of human creation is inside the walls of a cast-iron oven.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.