Fátima Freire

Aladdin and Dracolim sell a miraculous elixir with help from Marina by Aladdin who is passionate. Bandits come disguised in Aladdin's house and try to take the ring since Aladdin has the power to run a magic lamp.

Two young men in search of adventure meet Iracema, a bride who's been left waiting at the church. They give her a ride on their jeep, until they find the most strange family: a couple with seven girls and a son. According to popular tradition, a man born after seven girls is bound to become a werewolf.

The lawyer Roberto leaves his career and his fiancée behind to chase the criminals who killed his entire family in a brutal massacre.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

The soap opera critiques the power struggles among rural politicians in the 1920s. Joaquim is shocked when a doctor reveals that his son, Luís Jerônimo, has a lung lesion. To recover his health, the young man leaves Rio de Janeiro for Colonel Boanerges's farm in Vila da Mata, Espírito Santo. There, he meets Zuca, and the two fall in love. Zuca is the colonel's goddaughter and the fiancée of the fearless cowboy Tobias, who refuses to accept the possibility of losing her to the outsider. Zuca and Luís Jerônimo face numerous obstacles in pursuing their love. Their romance is also threatened by the arrival of Pepa in Vila da Mata; having been in love with Luís Jerônimo back when he lived in Rio, she tries by every means possible to drive the couple apart.

Amor e Revolução is a Brazilian telenovela produced by SBT and originally broadcast from April 5, 2011, to January 13, 2012. Created by Tiago Santiago, with collaboration from Renata Dias Gomes, Miguel Paiva, and Eliana Garcia, and directed by Reynaldo Boury, the telenovela stars Graziella Schmitt, Cláudio Lins, and Lúcia Veríssimo. The production was the first Brazilian telenovela to portray the period of the military dictatorship as its main theme. Set between the 1960s and 1970s, the story follows Maria Paixão, a young woman involved in the armed resistance against the military regime, and José Guerra, a military officer who secretly opposes the government's actions. Despite being on opposite sides of the political conflict, they fall in love and face persecution, violence, ideological disagreements, and personal tragedies while fighting for their ideals and their relationship during one of the most turbulent periods in Brazilian history.

Gina attracts attention and envy. Years later, her life is shaken by the return of an old love and she discovers some schemes orchestrated by her best friend.

Four stories intertwine, revolving around moral dilemmas of life in society. A secret unites student Alice and mega-businessman Raul Pelegrini, who are major ideological opponents.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

The soap opera follows the story of young Aurélia Camargo (Norma Blum), a girl who falls in love with the ambitious young journalist Fernando Seixas (Cláudio Marzo), who also falls in love with her, but rejects her when he receives an invitation to marry Adelaide (Fátima Freire), the daughter of Tavares do Amaral (Felipe Wagner), a wealthy banker. Feeling abandoned by her great love, Aurélia dreams of one day having him back. Until, when she turns 18, she is surprised with an inheritance from her grandfather, and becomes a very rich woman, allowing her to create her own rules for her life. However, for the society of the time, it was not good form for a woman to enjoy such independence. For this reason, Aurélia begins to rely on a distant relative, Dona Firmina Mascarenhas (Zilka Sallaberry), to act as her mother, and on the administrator Mr. Lemos (Alberto Perez), to guide her in business. So, she sees a great opportunity to have Fernando in her life again.

A hardworking market vendor, Mrs. Xepa faces many sacrifices to raise her children alone. However, as they achieve social advancement, they begin to feel ashamed of their mother.

On the eve of the Republic, the clash between the monarchist Aristarco and his son Jorge, a defender of the republican cause, enlivened the Ateneu College and sparked passions and persecutions.

Juca Campos Lara dreams of poetry, but pressured by reality, he trades art for the sake of supporting his family. The struggle between making ends meet and his dream unfolds in four significant phases.

'Cuca Legal' tells the story of Mário Barroso, a single aviator involved with three women at the same time: Virgínia, Irene, and Fátima. Virgínia is a wealthy businesswoman obsessed with the direction of her late father's business; Irene is a middle-class young woman who gives private piano lessons; and Fátima is a poor widow. Mário can't decide which of them is the ideal woman to give him a child with a "cool head" (cuca legal). Things get even more complicated when Maria Joaquina, nicknamed Kinu, Virgínia's mother, also catches the aviator's attention. To escape the troubles he constantly gets into, Mário relies on the help of his mother, Dalva, and Jacaré, his great friend.

The seer Joãozinho de Dagmar predicts the end of the world, throwing the population of the fictional town of Tabacópolis into a panic. Everyone engages in crazy behavior in anticipation of the supposed apocalypse.

Mini series about the 1960s in Rio de Janeiro, when a politically engaged student falls in love with a left wing journalist's daughter who doesn't care for politics. The romance follows 15 years of Brazilian history, since President João Goulart deposition by military reactionary forces, until the first signs of restoration of democracy, in the 1980s.