Ariel Nasr

In her deeply personal debut feature, award-winning filmmaker Carol Nguyen charts her family’s first reunion since her uncle’s mysterious death. Travelling together to Vietnam, the family embarks on a revelatory—and at times uncanny—journey through intergenerational trauma and many-layered loss. With care and probing curiosity, Nguyen guides her loved ones as they navigate unsealed medical records and a decades-long silence, ultimately leading them back to each other. A metaphysical poem for complex mourning, Still Night, Burning House shows how storytelling can transform grief into collective healing.

A compelling call for justice, Stolen Time follows charismatic elder rights lawyer Melissa Miller as she takes on the corporate for-profit nursing-home industry—an industry notorious for its lack of transparency and accountability. As the legal battle unfolds, families, frontline caregivers and change-makers chronicle an urgent crisis with ramifications—and inspiration—for us all.

Documentary about Harvard-trained theologian Stephen Jenkinson, a grief counselor who teaches that death empowers us to live and that we must not only accept death but embrace it.

When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.

The story of the Quebec Mosque Shooting—the first ever mass shooting in a mosque in the West—is known around the world, but the story of the community that survived the attack is all but unknown. The Mosque: A Community's Struggle is an intimate portrait of the resilient Muslim community of Ste-Foy, Québec, as they struggle to survive and shift the narrative of what it means to be a Muslim, one year after the devastating attack that took the lives of six of their members. As the world moves on, this small mosque and its community fights Islamophobia, harassment and hate speech. How will the community heal and how will they stop the rhetoric that threatens to precipitate further violence?

Set against the dramatic landscape of contemporary Afghanistan and the National sport of Buzkashi - a brutal game of horse polo played with a dead goat - Buzkashi Boys tells the coming of age story of two best friends, a charismatic street urchin and a defiant blacksmith's son, who struggle to realize their dreams as they make their way to manhood in one of the most war-torn countries on Earth. Shot on location in Kabul city by an alliance of Afghan and international film makers, Buzkashi Boys is a look at the life that continues beyond the headlines of war in Afghanistan.

On the edge of the Arctic Ocean, the community of Taloyoak, Nunavut, is working to feed its families. Soaring grocery prices and the high cost of hunting and travel in the North leave many households facing food insecurity. Nirilaurta tells the story of a community that draws on Inuit culture, land-based knowledge and kinship to nourish their bodies, spirits and one another.

Afghanistan, 2016. Sikandar and Shab are final-year art students at Kabul University, both with a thirst for life. Amidst the ruins of war-torn Kabul, the couple and their friends spot an abandoned cinema, which miraculously survived 30 years of war. As an act of resistance against the looming return of fundamentalism, a bold dream is enacted and renovation work on the cinema begins. Serious problems soon arise: the withdrawal of powerful family support, the targeting of Shab by her extremist brother, an auto accident and a calamitous fire. Undaunted, Sikandar continues to pursue the dream.