Ícaro Martins

São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.

An innocent working girl finds a hole in her wall through which she can see the action in her neighboring apartment, where a prostitute meets her bizarre clients.

An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Transposition of Arrigo Barnabé's song "Clara Crocodilo" to film, with cartoon visuals. Clara Crocodilo is considered to be the public enemy #1, and he's waiting his execution at a state penitentiary. Meanwhile, the Radio Interferência eloquently narrates his story. Some strange characters come forth and even some voodoo rituals are performed to help the anti-hero. He manages to escape and disappears in the dark alleys of the city.