Paolo Villaluna

Set in two contrasting environments that underline the same premise of imprisonment, Selda tells the story of Rommel, a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery

After reconnecting through a phone call, Justin, an analog filmmaker, and Grace, a frustrated poet, reminisce about the day they first met — a day that Justin tries to recreate from memory.

Left with no one following the death of their grandfather, Grasya and Armando were forced to live with the same poverty-stricken scenarios of everyday living. They woke up early to grow crops in hopes that they could harvest it and fill their empty stomachs and table. In extreme exhaustion, Armando starts to grow in curiosity of who their god is. With this question, Grasya recalls a memory that would reveal the nature of their false-god who would make them mentally deranged from bitter lives and rumbling stomachs.

The plot is about Maria (Lovi Poe), a 16-year old girl who elopes with her boyfriend Ryan (Joem Bascon) to Baguio. While they are in a hotel in Baguio, they meet a terminally ill tourist (Jacky Woo) who is in Baguio beause it is where he met his ex-wife who is a Filipina. Maria develops a strange relationship with the tourist and she is later torn between the love of Ryan and the older stranger she has just met. Meanwhile, Maria’s father (Ricardo Cepeda) hires a private detective named Patrick (Jake Roxas) to look for his daughter. Patrick is a homosexual who is learning to deal with the promiscuity of his lover (Rico Barrera).

Anak Ng Tinapa (Something Fishy) is a story about a small fish: framing up and killing small fry instead of the "big fish" in a society ruled by sharks. Two crooked cops get a kick out of framing up hapless people by planting illegal drugs on them. Unknown to these rouge policemen, a group of loony and ambitious student filmmakers is watching and documenting their every move. In the end, a brutal killing spree of individuals occurs.

Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.

After ending her toxic relationship with her boyfriend Ben, 40-year-old Alice discovers she is pregnant. With her age and current relationship status, her first instinct is to have the pregnancy terminated. As her body undergoes dramatic changes, Alice struggles and needs to decide what to do. Will she slide back into the arms of Ben? What will this mean for the child growing inside her?

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.