Directing

Naomi Uman

Born January 1, 1962 (age 64)

No biography available.

Known For

The Tin Woodman's Home Movie #2: California Poppy Reserve, Antelope ValleyThe Tin Woodman's Home Movie #2: California Poppy Reserve, Antelope Valley · 2008
The Tin Woodman's Home Movie #2: California Poppy Reserve, Antelope Valley
2008
MovieFantasy
A three-dimensional narrative enacted at the California Poppy Reserve. It’s part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmakers, Naomi Uman and Lee Lynch).
Private MoviePrivate Movie · 2001
Private Movie
2001
Movie
This love story in three parts recounts the amorous journeys of one woman, in love with places, pets, men, and nostalgia.
Three SparksThree Sparks · 2023
Three Sparks
2023
MovieDocumentary
three sparks is an intimate picture of village life in Albania, crafted in gratitude by a guest. Mexican/American artist Naomi Uman lived and documented life in rural Ukraine. Inspired by having seen her experimental non-fiction films portraying village life, she was invited to create a portrait of life in rural Albania. This took her to Rabdisht, a village perched high in the mountains, where people farm the rocky, vertiginous land.
Mala LecheMala Leche · 2003
Mala Leche
2003
Movie
A sequel to Leche, this film follows members of the same family now living in California's agricultural Central Valley. Through economic struggles and familial growing pains, the family relies on traditional values to navigate a complex environment of immigrant working life and cultural alienation.
LecheLeche · 1998
Leche
6.21998
MovieDocumentary
Examines details of the lives of a rural Mexican family. The film was hand-processed in buckets to dry on the clothesline.
GrassGrass · 1997
Grass
1997
Movie
This film was made for the site specific screening Fleur Power, created by Melinda Stone. She planted a screen of sweet alyssum (also called "carpet of snow") on a mountainside and asked artists to make work for this one-time event. This short film attempts to replace the grass which she pulled up in order to create the screen, while playing with concepts of scale and time.
KalendarKalendar · 2008
Kalendar
2008
Movie
Kalendar obliquely tells the story of language acquisition. The filmmaker, struggling to learn a new language, comes to understand that the names of the months of the year have concrete manifestations.
Hand Eye CoordinationHand Eye Coordination · 2002
Hand Eye Coordination
2002
Movie
The film tells the story of its own making.

Filmography

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