Andrej Vandlík

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

The life on the poor Slovak hills, the lazy hills, where agriculture is at a primitive stage and where the shelves give a small harvest. Meanwhile, socialist industrialization is reaching an amazing boom in the valleys. Therefore, it is necessary to solve the problem of small farmers on poor farms and the lack of labor in ever-growing industrial enterprises. The film, based on the fate of Matěj Rendek, who returns to Slovakia after 18 years from America, and on the fate of his family, who have toiled for years on poor fields and slaved for a rich farmer, shows how this problem must be solved: an agricultural cooperative is established on the lazy hills, which, with the help of machines, can handle agricultural work better and with a significantly smaller number of laborers, and most of the lazy villagers leave to work at a large sawmill.

A comedy about three flirtatious woodcutters realistically capturing Slovak village life and criticizing insincerity, hypocrisy and male pride.