Józef Kondrat

Engineer Nawrat, together with the mining crew, takes up the fight to save the local mine from being taken over by foreign capital.

The director of the Warsaw operetta has problems with putting together a team. He cares very much about acquiring the star of the stage - Jadwiga Janowska. However, she is currently in Paris with her husband, diplomat Henryk de Fontana. It turns out that Ambassador Rossi falls in love with her. Jadwiga goes to Warsaw, where in her apartment her friend Apolonia trains a young adept Wanda to play on stage.

Study of a man obsessively seeking revenge.

Mania is the illegitimate child of a girl from the suburbs of Krakow and a lawyer. Bowing to the will of the family, he abandons the girl, leaving a large monetary "compensation". The girl dies, but before she dies she leaves a certain Mr. Majcherek a letter and a document, proving that Mania will be able to receive the money when she comes of age. The dishonest Majcherek (knowing the contents of the letter) must therefore wait 20 years to be able to apply for Mania's hand and thus come into possession of her property. Unaware of anything, Mania lives in the suburbs with Maciejowa (who took her in as a child) thinking that she is her daughter. When Majcherek begins to adore Mania it turns out that she already has two rivals - boys from the neighborhood. That's when the fourth one appears - handsome Zygmunt. Mania loses her head for Zygmunt. What she doesn't know is that he is in fact her real father's upbringing....

A cinematic ode to actor Adolf Dymsza, one of the biggest stars of pre-war Polish cinema. The film combines footage from Dymsza's new movies and contextualises in the frame story of Mr. Dodek, a retired actor who recounts his past exploits while trying to earn an allotment for a plot of land.

The reminiscences of a Russian pilot, shot down over Poland during the war, of his first great love there.

An eager inventor, Fredek, develops a “telefonowizor” combining audio and video calls but neglects his fiancée Irma in the process. Public demonstrations inadvertently expose private, embarrassing moments, alienating buyers and provoking conflicts, turning his revolutionary device into a fiasco that disrupts rather than improves people’s lives.

An intimate psychological drama consisting of two separate stories, the heroes of which represent the attitudes of young people, which were rarely manifested in the early 1960s.