Guido Morisi

Beppe Musolino is falsely accused of murder. He is tried and once found guilty is imprisoned. Unexpectedly he escape from prison and to survive he start living like an outlaw brigand. He falls in love for Mara, a village girl, and with her help he hunts down all of the witnesses who lied about him at the trial.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

An old gentleman, a direct descendant of Zorro, has a single son named Raimundo in whom there is no trace of proud pride.

The film is set in Naples. Two doubles, an American and a Neapolitan, alternate visiting Zaza, the maid of a magazine company, deceived by their resemblance.

Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.

After his plane makes an emergency landing, a kidnapped millionaire assumes the identity of a poor man.