Thanos Anastopoulos

In communist Czechoslovakia in 1980, 15-year-old Mara dreams of leaving her village to study in the city and become a pilot. But her father, a widowed Ruthenian farmer, insists she stay and work the land. When her village faces destruction due to a new dam, their generational conflict intensifies, revealing the struggle between tradition, identity, and the desire for freedom in a context of historical change.

A family story of incest, decadence and desolation. Greece, early twentieth century. A bourgeois family is on the verge of breaking up. The mother has abandoned the family, and the father, a retired officer, keeps his three daughters, as well as the illegitimate son of the oldest daughter, confined in the house. After his death, the three sisters live through their personal drama. The eldest, Eleni, imbued with the morals of the time and closely identifying with her father, tries to take his place. The middle one, Maria, representing rebellion, goes off with a captain of the sanitation service, while the youngest, Anna, skating on thin ice through all this, is completely destroyed.

Everyone carries something, some burden that weighs him down. Some are crushed, others are freed, others just carry on. Eleven characters cross each others paths, unveiling their fears and desires, during the world weightlifting championship

A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.

In a tale rooted in ancient Greek tragedy, a patriarch must decide the fate of his son and the boy he raised when a long-standing unneighbourly feud turns to murder.

Olga, a domestic worker originally from Albania, finds herself in a house she works in downtown Athens, at the right time. Or at the wrong one?

The director creates a parallel of thirty years of her life (mid-1980s to 2012) and the evolution of her country, Greece. The loss of her lover, revived in archive photographs and 8 mm movies, is the background for her despair facing contemporaneous Greece, seen by her in the streets and viewed on television broadcasts from American and Russian channels.

A man gets out of prison. Like a modern Ulysses he will undertake a homeless journey into contemporary Athens peopled by migrants, homeless, and other marginalized persons of the society. On his way he will meet a woman and a little girl. Are the three of them members of a disrupted family or just persecutors and victims of a violent and conflict driven society that prevents them from living together?