Cosme dos Santos

A successful writer in a creative crisis lives with her characters and others who do not know what dimension they live in.

The Robin Hood from the movie The Trapalhões and his pack ruin the plans of a farmer named João Climério. He wanted to take the lands of his deceased brother and leave his niece Catherine with nothing. During a showdown, Robin Hood is injured and needs to be replaced at the helm of the group. And then the funny confusions begin! As a substitute is chosen Zé Grilo, a modest and at the same time confused pawn, who in the end manages to unmask Climero and save the beautiful Catherine for which he has a passion. In this mission it is aided by the companion Willie and also by a magic wand and a protective pen, provided by an Indian sorcerer.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

Sérgio Mallandro is chosen by an alien to be the one to receive special powers to do good. But before that he must prove his worth and kind heart by rescuing a girl's pet. Along the way, he is frequently hampered by an envious villain.

Bruna Linzmeyer and Milton Cunha use humor to portray situations in the LGBTQIA+ community, reflecting on diversity in a light and amusing way.

The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

Young robber, son of a prostitute who had killed herself, gets involved with two police informers, who force him to share the loot he gets.

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.

Following the clues of a map, a boy and some adventurers go into the forest in search of treasure from the pioneers, and end up going back two centuries in time, in search of the legendary Minas dos Martírios.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

The legend of Tristan and Isolde is one of the most beautiful love epics ever conceived. Richard Wagner, in a famous opera, had already tarnished its purity. The modern transposition of the legend is set in Brazil, in a village of poor fishermen on Guanabara Bay, framed by mountains not far from Rio de Janeiro. Two young cousins, Marcos and Jeronimo, get together to fish successfully - the arrastao is a large fishing net - and to resist the ugly local landowner, who sets the rules and the prices. This owner has a niece: Emaïsa, who loves Marcos and is loved by him.

The Viscount of Sabugosa is locked in the library writing an encyclopedia about the characters in children's fables. Dona Benta receives a letter from little Thumb, written on a rose petal, in which he, realizing that the inhabitants of the world of fables are forgotten in the books on the shelves, requests that everyone live in Sítio do Picapau Amarelo. Emília and the children love the idea, and Dona Benta says yes. They move

Galanga, king of Congo brought to Brazil as a slave, finds gold in Vila Rica, in the State of Minas Gerais, and buys his enfranchisement, the properties of his former owner, and his companions' freedom, becoming Chico Rei, the first black man to own lands in Brazil.

In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

Set in the 19th century, the novel tells the story of an impossible romance. Inácio, a young man from a traditional family, falls in love with Esther, the owner of the most famous brothel in the Court.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

In the struggle for land a vicious feud erupts between two men, who commit their families to a war without truce. Over two generations they are moved by love and by hatred in this epic saga of love for the land.

Twenty years after seeing his family decimated by gunmen, Ben Silver returns to Albuquerque to take revenge on the person responsible for the massacre, but falls in love with his rival's daughter.

Through the stories of Madá, Jão and Osmar, the work talks about achievements and the price we are willing to pay for them.

Paleontologist Júlia wants to convince the stubborn farmer Abner to let her excavate on his land. The site is said to be an archaeological site containing the remains of prehistoric animals.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.

The soap opera critiques the power struggles among rural politicians in the 1920s. Joaquim is shocked when a doctor reveals that his son, Luís Jerônimo, has a lung lesion. To recover his health, the young man leaves Rio de Janeiro for Colonel Boanerges's farm in Vila da Mata, Espírito Santo. There, he meets Zuca, and the two fall in love. Zuca is the colonel's goddaughter and the fiancée of the fearless cowboy Tobias, who refuses to accept the possibility of losing her to the outsider. Zuca and Luís Jerônimo face numerous obstacles in pursuing their love. Their romance is also threatened by the arrival of Pepa in Vila da Mata; having been in love with Luís Jerônimo back when he lived in Rio, she tries by every means possible to drive the couple apart.

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

"Crossed Paths" tells a history about seven friends who met in their youth at an English course meet again 25 years later; Lara, Taís, Helena, Adriana, Renée, Natália and Carol, each of them has a different personality and origin, but they share a deep affection.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

In this romantic comedy, life links together the fate of three completely different women, after witnessing the murder of a judge during a hurricane in Cancun. To stay safe, Kyra, Alexia and Luna have to give up their lives and start over with new identities on a witness protection program. Packed with romance and new experiences, the struggle for survival will make them question their dreams and loves they had until that point.

Zeca and Maria Rita experience a forbidden love in the fictional city of Paraíso, where faith and tradition clash amidst land disputes and popular beliefs.

São Paulo, 1945. A tenement in the Bixiga neighborhood centralizes the plots and characters. The cheerful Lalá is a former prostitute who got along with a senator of the Republic, her lover, who, when he died, left her in an excellent financial situation, since she had a daughter with him, Marialina. Lalá is courted by the simple Italian Antônio Sapateiro, a mature man in love with her. The Portuguese Manoel Vitor loves the Jewish Ruth, but her parents forbid dating because of religion.

Dias Gomes and Marcílio Moraes' version of the soap opera of the same name by Janete Clair shown in 1970, Irmãos Coragem features as central characters João, Jerônimo and Duda, three brothers who threaten the dominance of the powerful farmer Pedro Barros, the highest authority in the fictional Coroado, in the interior of Minas Gerais, where the story is set.

In the 1930s, in Passaperto, the powerful Cândida controls the family until the arrival of Laura, considered a miracle, who awakens passions and rivalries that will change everyone's destinies.

Marked by the reputation of “son of the devil”, Zeca sees his life change when he falls in love with Maria Rita, Santinha. But the young woman's devotion and expectations about her destiny put the romance to the test.

The plot revolves around the romantic conflict involving four young people who have known each other since childhood. Antônio Mourão, an orphan raised by Father Ovídio, has two dreams in life: to graduate in Medicine – he has just passed the entrance exam – and to marry Rebeca, one of the daughters of his godfather, the Protestant pastor Bilac. Antônio and Rebeca end up separated thanks to the interference of Lívia, the youngest daughter of Pastor Bilac. Sensual and deceitful, she dreams of abandoning her life in São Tomás de Trás, working as a lacemaker and attending her father's church services, to live in the big city. She sees in Antônio a chance to fulfill her desire and, even knowing about the romance between the young man and her sister, she orchestrates a situation to seduce him and manages to get pregnant by him. The two are then forced to marry and move to the capital.