Silvestre Revueltas

Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.

A Mexican fisherman, whose son has died because he could not afford necessary medical care out of his meagre wages, becomes aware of how badly exploited he and his many fellow fisherman are by the one greedy man for whom they work and the corrupt politician who makes the laws to benefit him.

Plantation owner is way too much into his peasant girls. It causes problems.

Two journalists, Carlos and Lola, investigate the murder of a young woman whose body appeared with her heart torn out, in what seems to be a human sacrifice. The investigation leads the reporters to a museum, whose director is the famous Doctor Gallardo.

Carita finds herself forced to reject the advances of her wealthy godfather because she already has a steady boyfriend. Spurned, the godfather changes his will, stipulating that the five million pesos he leaves to his goddaughter can only be claimed once she becomes a widow. Hoping to inherit the fortune quickly, Carita marries Lázaro Bermejo, a dying indigent. However, the beggar makes a miraculous recovery and regains his health.

The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.

A white man seduces a local girl in an isolated Mayan village, which makes gods unhappy.

Two train drivers find a little girl who escaped from a circus due to mistreatment and one of them decides to adopt her.

This documentary addresses some of the first cinematographically documented actions of Mexican indigenous politics in the mid-20th century. The narrative thread is built from the experiences of the first indigenous workers: medical personnel, specialists in engineering or agronomy and indigenous promoters. The film accounts for two key moments of the time: the foundation and start of operations of the first Indigenous Coordination Center created by the National Indigenous Institute (INI), in San Cristobal de Las Casas, Chiapas, and the relocation process of the chinanteca and mazateca communities affected by the construction of the Miguel Aleman dam.