Ferdinand Bonn

The peak of the sun is in the High Tatras. The mountain guide Carlo tried to climb it several times without success. When he finally gets it, he thinks that nobody else has to raise it and develops a special feeling with the mountain. When the Americans MacAllan, his daughter, and the engineer Harry West arrive at Zakopane with the project to build a cable car on the mountain, Carlo rejects it, because he considers the mountain of his property, a kind of sanctuary. Finally, he lives an experience that can make him change his mind. There is another version of the film titled Burza nad Zakopane, shot the same year in Polish.

A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.

The peak of the sun is in the High Tatras. The mountain guide Carlo tried to climb it several times without success. When he finally gets it, he thinks that nobody else has to raise it and develops a special feeling with the mountain. When the Americans MacAllan, his daughter, and the engineer Harry West arrive at Zakopane with the project to build a cable car on the mountain, Carlo rejects it, because he considers the mountain of his property, a kind of sanctuary. Finally, he lives an experience that can make him change his mind. There is another version of the film titled Der Bergführer von Zakopane, shot the same year in German.

Director Cordt is in love with the chancellor's daughter Wilda, who unfortunately has a crush on the actor Frits. But Cordt knows: The only way to convince Wilda that Frits isn't the right one for her is to let her find out about the actor's debauchery and financial irresponsibility for herself. Step by step Cordt executes his cunning plan.

Walter Noss is ruined trying to find malleable copper to make material for German torpedoes. One day, in a secret compartment of an old chest, he finds a document from an ancestor describing the formula for this malleable copper.

A restaurant cashier, who has a mutual attraction to the restauranteur, has a secret passion for dance. As soon as she finishes work she is off down to the dance studio for a practice. She has a chance meeting with a handsome impresario, who promises to make her into the greatest dancer the world has ever known.

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.

A count with a gambling addiction is set up with the daughter of a minister by his father, who hopes she will be a good influence on him.