Raymond Red

Evading the police, Issa and her brother Tomas seek shelter in a secluded orphanage in the forest. But the siblings’ safe haven soon reveals itself to be a hellscape controlled by a sacrificial cult in thrall to a fearsome nocturnal deity.

Set during the first quarter storm in the 1970s, policemen Homer, Conrad, and Billy are consumed by the murder case of troublemaking teenagers in the slums.

Gold reappears after vanishing for months. His car breaks down in a remote area. He meets peculiar people in a house. Waking up in his car, he questions if it was a dream or reality.

The film covers the life of Filipino patriot and hero Macario Sakay, who was declared an outlaw and a criminal for continuing hostilities against the United States after the "official" end of the Philippine Insurrection.

Alluding to the lore of Ibong Adarna. Seeking justice, Adriana vows to take revenge on the family that killed her father her target: the patriarch, and his three sons Juan, Diego, and Pedro.

Inspired by a true news account, this is the astounding story of a lone deranged hijacker who has struggled to survive in the chaos of modern Philippine society.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.

Mga Rebeldeng May Kaso is about the aftermath of the so-called People Power Revolution of 1986, spawning a group of young dreamers bewildered, wonder, and wandering, discovering the fire of youth, the loss of innocence, the journey into the core of one’s being, immersing themselves in a brewing new alternative culture and a little known and lowly regarded revolution of sorts the emergence of a new underground, independent and alternative cinema.

A music student rents a room in a boarding house hoping he could have the peace and quiet he needs to compose. He is unaware that other strange personages lurk in the other rooms in the mysterious house. Eerie silence alternate with disturbing noises. Echoes of coughing and moaning by an unknown someone intrude. Amidst such arcane setting, the principal character is entangled in a web of deceit, betrayal and crime.

In Manila, a solitary man from a far-away province lives in poverty. The only thing he has is a camera, and he stays at churches hoping people will hire him to take their photographs. During one day, he has three encounters that change his life: the first, with a smooth-talking young man who's standing by the church door who berates him for wasting his life in church, the second with a boy who offers to take his picture, and the third with a Mercedes-driving man who's been stuck in traffic and has no patience left. Is there any deliverance from the soullessness of the city?

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

Golden Palm winner Raymond Red's masterpiece, about the surreal and at times nightmarish adventures of a young man.

'Enemy' is elegaic science-fiction: a fable about the young men trained as Guardians of the Stars and their failure to ward off an unknon 'enemy' who manifests himself as white light.

A study by Raymond Red for his film Makapili (Phantom Traitors). Shot on Super 8mm.

Directed by Raymond Red.

1988 film