Danielle Guirguis

Israel, 1956: Jewish teacher Rachel Stein rather unexpectedly meets an old friend at the kibbutz. It brings back memories of her experiences in the Netherlands during the war, memories of betrayal. In September 1944, Rachel's hiding place is bombed by Allied troops; she makes contact with a resistance member and joins a group of Jews to be smuggled across the Biesbosch to the freed South Netherlands. Only Rachel escapes a massacre by patrol Germans, and is rescued by a resistance group under the leadership of Gerben Kuipers, whose son is captured trying to smuggle weapons. Kuipers asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze, a mission that she will soon learn that the boat attack wasn't a coincidence.

On a sales day, a 28-year-old Latina migrant works at a fast fashion store in the Netherlands, surviving a job she cannot afford to lose as her body starts to resist.

Struggling to get home to her stranded baby, a young mother in Amsterdam receives an emergency alert on her phone: a nuclear missile has been launched at the city and residents have forty-five minutes to evacuate.

Handsome Dutchman Stijn is the star of an advertising agency with his buddy Frenk and a hot womanizer. The boys start their own agency and Stijn marries colleague Carmen, who accepts his incurable greed for truly meaningless one-night-stands. Even fatherhood and a move to the boring country go well, until Carmen gets breast cancer. Now their lives are turned upside-down, maybe wrecked

After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.

Hong Kong, at the height of the protests. A young woman visits her father, whom she has not seen for a while. Her plan is to have lunch with him before the Umbrella Movement reaches a critical juncture. Celebrated, committed filmmaker Ying Liang contributed with a beautiful moving short with an special angle asking: Where do we live, and what is citizenship?