Michiko Araki

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

In a time of continuous civil wars ravaging the fields of feudal Japan, the eldest son of a very poor peasant family, living alongside the bridge over the Fuefuki river, decides to serve a warlord to escape his miserable condition, being soon followed by his younger brothers. Although not all the men of the family take this tragic path of death, women of the family will be doomed to endure the pain of loss during the next five generations.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

Kazumi - whose sensitivity does not undermine her strength when she handles her second husband's emotional conflicts with the wisdom of an adult. Kazumi's younger and more inexperienced husband Hideo is continually suspicious of her fidelity.

After a salary-man's fiancée attempts suicide, he recounts his gruesome family history which saw generations of his ancestors suffer and sacrifice themselves for the sake of their cruel lords.

When a wealthy, selfish family decides to take care of an elderly hobo who collapsed near their home, they are beset by visits from his numerous friends.

Set in the pleasure district of Kyoto, Tamiko (Yoshiko Mita, in her first lead role) is a young girl attending high school by day and training as a geisha at night She sees her future as an entertainer, not a prostitute, & she expects a happy marriage with a medical student, Yasuke (Katsuo Nakamura), a sweet fellow she deeply loves. but things started to getting worse for Tamiko and she's forced to become the mistress of the disgusting Tsukada (Seiji Miyaguchi).

Yoji Kitami, a fisherman's son, is a student in Tokyo. His father had died at sea and Taichiro, his brother, is sending him to the university. But the outbreak of violence by radical students and blockade of classrooms make studying impossible and Yoji goes home. Fortunately, he meets Katsuyuki Shinoda, a childhood friend, who works on a whaling vessel. Yoji decides to join him and rediscover a meaning in life. But finding sidework on a whaler is not so easy and Ogaki, a veteran harpooner, curtly turns him down. But finally, deeply touched by Yoji's earnestness, Ogaki reluctantly agrees to take him with them. Rules are very strict, for even one slight slip-up may jeopardize the safety of the entire ship. For a long time, it seems like a living hell, but with patience and courage, he begins to learn the ropes. And the day they sight their first whale, Yoji comes into his own and finds the real meaning of life.

Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.

With World War II is coming to its end and Japan nearing defeat, Japanese military leaders step up suicide attacks on Allied ships. Toei legend Koji Tsuruta stars as a Kamikaze squad leader who has second thoughts about suicide runs. He becomes torn between his own morality and his duty to his country when he must deal with a pilot under his command who refuses to complete his mission.

A moving episode in which a war criminal in the Philippines, having faced death, pleads earnestly while trembling with fear.

The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.

Kiku and her brother Isamu are social outcasts, children of a prostitute mother and black GI father, in postwar Japan.

The film is dedicated to the souls of flight school graduates killed in World War II. Young boys dream about becoming pilots and apply to flight schools. However, the flight schools have extremely demanding, harsh training, and once they finally become pilots, they must become suicide bombers and give their lives for their homeland.

Japanese prison exploitation movie. Part 1 of the 'Onna bangaichi' series

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).

A Japanese woman writes down three stories she has witnessed or heard of in her diary, each about the difficult situation a young woman finds herself in.

Yumechiyo, a geisha house madam recently diagnosed with a terminal illness, yearns to do something constructive with the little time she has left. Though her responsibility lies in taking care of her girls, she finds purpose in helping a man wrongfully accused of murder and in the process discovers love.

Tatematsu Minoru, a yakuza belonging to the Ishikawa group that runs the Shinjuku area, has a beautiful sister named Akane. He dreams of sending her to college and turning her into a perfect young lady. He's extremely fond of Akane. His fondness for her goes beyond how he feels about his mistress, Kanae. And yet, Akane feels alone. Now, a new tutor comes into her life that seems to have taken a liking to her...

If You Were Young: Rage highlights the other side of post-war Japanese prosperity, focusing on the throngs of young people who missed out on the boom. We follow a group of young men that can't seem to get ahead, despite their willingness to try. Then one hits upon a plan - to work together to save for a dump truck and thus become independent contractors and be their own bosses at last. Ultimately life presents obstacles: jail for one, violence at the hands of the police for another, and a girlfriend and subsequent children for the third. An early Kinji Fukasaku gem that imports the freewheeling style of the French New Wave and the hip detachment of American noir.

A footballing law student tutors an undergraduate, developing into a romance that soon enough goes awry.

On his return from school, young Ichiro finds his father in bed with his adopted sister, Namie. Enraged, he decides to outdo his father in terms of immoral behaviour.

The story follows the Nakamori family in Yokote, Akita Prefecture, where half of the year is buried by deep snow.