Co Hoedeman

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

A miserly man eats the pits of some cherries he can't stand throwing out. A tree starts growing from the top of his head. He cuts it off; it grows back. After a while, he gives up and lets it grow, but the crowds that gather on top of his head to enjoy the tree (and leave huge mounds of trash) eventually drive him to uproot the tree. This leaves a crater on top of his head, which fills with water, which becomes a popular lake.

It's summer and Ludovic is invited to his grandfather's farm. The little teddy bear finds Grandpa very saddened by the death of Grandma, and Ludovic is fascinated by a room filled with mementos. Grandma's portrait comes to life, and Ludovic is able to kiss and hug her. This poignant tale evokes the closeness and understanding between a grandfather and his little grandson who gradually learn to accept the death of a loved one.

This short children's film by Co Hoedeman tells the story of 2 children and their encounter with an angry dragon, all represented by colourful building blocks.

A child founds a strange ball.

Ludovic: A Crocodile in My Garden is the second film in the collection Seasons in the Life of Ludovic. This one explores the world of play. Magical thinking governs Ludovic's world. It is springtime. Ludovic, in his garden, reigns over his menagerie of paper animals and their jungle home. In his improvised Africa, Ludovic goes from one surprise to another until the animals help themselves to the surprise brought by his mother. When they refuse to obey him, Ludovic doesn't want to play anymore. He bangs the door and pouts. But children's fights don't last. Reconciliation is not far off, especially when there is a snack to be shared by everyone.

It's winter in a thatched cottage, home to a family of teddy bears. The young cub Ludovic dreams of tobogganing but his parents tell him he's too little. He invents wonderful games to share with a doll that miraculously comes to life. This tender tale evokes the cozy relationship between a child and a favourite toy.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?