Michiko Ono

Ishimatsu of Mori, from his early days leading up to his joining with Shimizu Jirocho, Boss of the Tokaido where he made his mark in history through his tragic end this is the story of a beloved and loyal henchman.

A literary masterpiece that sharply critiques the ethics of modern romance, featuring a 48-year-old father who burns through the last of his youth with a teenage girl, and a daughter in her twenties who falls in love with a younger man and champions sexual liberation.

Tamio Moroi, a young university graduate, works at a large brewery where he is taught to do nothing but look busy. When his father goes insane, he is told to send money for medical research into the condition. This prompts him to pay his father a visit, leading to a series of mishaps that leaves him at the bottom of the heap in what he once expected to be a promising lifetime career.

One of Kinugasa's last films--based on the story by Tanizaki Jun'ichirō.

Nishi is an advertising executive for a caramel company that is planning to launch a new product, in fierce competition with two other companies.

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.

In a peaceful town near the Seto Inland Sea, a threatening letter arrives along with the ringing of a telephone... A thriller-comedy that sets this stagnant town ablaze.

Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.

On his release from prison a young yakuza, along with his brother, decides to turn his back on criminal life instead of taking over the position of his recently deceased father, boss of the Asahina clan. But their exit proves more difficult than planned when their rival clan steps in to exact revenge.

1959 Japanese movie

Based on the original work by Shuji Hojo, Itohan Monogatari depicts the fate of a clumsy and kind-hearted woman in the Taisho era.

A studio introduction version for Daiei Stars.

The title of the film reflects the custom of writing poems and lyrics on paper lanterns. The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…

Aya successfully stages a fashion show in Osaka and in the train on her way home to Tokyo accidentally treads on a man's foot. The man whose name is Rentaro is not amused. Just afterwards she notices that he is reading a magazine which carries her picture which he crushes and throws under his seat. One of her customers in Tokyo is a pretty girl named Kana for whom she had designed a dress which at first seems quite satisfactory. But a few days later Kana brings it back. It seems her brother thinks it terrible. But when Kana brings the dress back she meets Aya's brother, Takeshi, with whom she becomes friendly and Takeshi gives her a new dress which he smuggles out of his sister's office. When Aya finds Kana's discarded dress and misses one belonging to another customer she goes to see Kana's brother, and to her surprise finds him to be the fellow whose foot she'd stepped upon in the train...

1960 Japanese movie

The picture tells of a tremendous conflict between ju-jitsu, an aggressive art practiced by vicious hoodlums led by Takamatsu, and judo, which is used only for self-defense and championed by Sugawara. All of which, comes to a mighty match between Sugawara and Takamatsu. It's loaded with dynamite, so to speak, and lasts five minutes on the screen, Sugawara, wins. Takamatsu, a poor loser, and his four ju-jitsu hoodlum companions later ambush Sugawara in the woods. This turns out to be a mortal combat. You'd like to learn the outcome, wouldn't you?