Jørgen Roos

The film shows examples of furniture, ceramics, glass, silver, cutlery and textiles. It was produced in connection to an exhibition "The Arts of Denmark" that took place in USA 1960-1961.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

Torben Skjødt Jensen’s elegant documentary is a collage of memories and reflections on one of cinema’s greatest directors. Visually rich and densely layered, Carl Th. Dreyer—My Metier illuminates an artist too little understood and too important to overlook. Through interviews, historical writings, and rare archival footage, a portrait of Dreyer emerges: an austere perfectionist, yes, but also a passionate man possessing a genuine sense of humor.

A poetic fairy tale about a man who steals the clown's heart, seeks to give it to various people who don't want it or need it, and finally delivers it back to the clown. (DFI)

An association course of circles, triangles, flowers, an eye and a tear drawn with chalk - all tied to the rhythm of the music (New Orleans Parade). The film has the subtitle "Some lines scratched in the film by Jørgen Roos". (DFI)

A documentary portrait of Carl Th. Dreyer, filmed shortly after the Paris premiere of "Gertrud." Through Dreyer’s own reflections on his films, the documentary explores his ideas about script, casting, acting, set design, and the pursuit of simplicity as the foundation of cinematic style.

An experimental and poetic portrayal of Oslo. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

1949 danish short