Mia Benedetta

The Razzi family owns a small factory of sweets in Macerata. Their desire to enlarge their business to cope with the new Unified European Market brings to a string of fatal mistakes that will ultimately doom their wealth.

Policewoman Anna Mari is forced to play a dangerous game with the title serial killer. If she loses, she witnesses the maniac's tortured victims having their throats cut in explicit close-up detail via webcam. She teams up with British cop John Brennan to find out the identity of the murderer.

Giulia is 30, single and working a high-end fashion job that allows her to travel and lead a dream life in Milan and Paris. However, a chance meeting with charming, down-to-earth farmer Renzo will makes her realize she's missing the most important thing in life—true love.

On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl's assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus.

An FBI Agent from America and his bride and young child travel to the Sicilian island of Ginostra to solve the murder of a key witness.

In their village of Puglia (Southern part of Italy on the Adriatic side) Federico and Riccardo have been best friends since childhood. Federico is a penniless playboy, while Riccardo is a young fashion designer. To pursue his dream, Riccardo trades his home for Milan. When Frederick discovers that the Puglia Region provides funding in support of business activities, he convinces Riccardo to come back and open a fashion house. But there is a problem: funding is only available to common law couples, and so Federico and Riccardo must pretend to be a gay couple, and enlist the help of the local newspaper editor, a journalist and Richard’s despotic girlfriend ..

In a fascist Rome anxiously awaiting Hitler's visit, Raul is a young man not aligned with the regime and beset by debts. In May 1938, Raul kills an old usurer and her sister: not out of necessity, but to investigate the concept of the "right to kill" ... who can motivate it and assume the right?

Between Turin and Pisa unfolds the life of a socially and professionally successful university professor of law. Endowed with great intelligence and an elusive charm, the man and the professor lead a “withdrawn” existence that occasionally borders on the beds of casual lovers. Determined to control reality and keep it carefully at arm's length, he becomes involved despite himself in the suicide death of a student. The boy, obsessed with the professor's life, has painstakingly recorded his lectures, his behavior, his habits...

Nello and Rufetto are two second-rate robbers, both in their forties and living in a suburban neighborhood of Rome. After serving four years in prison for a botched robbery, resuming their business, and more importantly, successfully completing it, is no easy feat.

When his destituite widowed sister-in-law—whom he had never stopped harbouring feelings for—and her ne'er-do-well son come to live with him after World War II, a mentally-ill farmer who spends all his time destroying unexploded ordnance scattered across the countryside finds a new purpose in his lonely life.

In a parallel universe, live people’s precious consciences. They all feel disheartened, demotivated, and unheard, except for Otto (Francesco Scianna). He is the top-ranked conscience, because his human Filippo (Filippo Scicchitano) follows him blindly, guaranteeing him happiness.

The story of the day, from early morning to night, of Mary, a confused but dynamic woman who pursues her career as an actress, but is lost in the fragmentation of the Roman daily. A newspaper that revolves around what seems to be the only source of livelihood for the Eternal City: tourism. Let's see Maria run from the theaters to check-in at the tourists and from check-in to screening in a frenzy that will blur in comical and grueling situations.

In the city of Rome, Mirko Reggiani is not only a university student who can't happily graduate from the university but also an amateur and only one detective of MARLOV & CO. One day he meets a beautiful fair lady in a department store and falls immediately in love with her, but his best female friend hinders him. Soon, in a rather strange way, Mirko meets the lady, who is actually an unhappy housewife named Vera Grimaldi, again. Unfortunately it is not a happy reunion; both Mirko and Vera are deeply and almost independently trapped in a twisted web of vicious crime...

Elena and Ernesto are a couple who are bitterly torn apart by the death of their only child. Three years later they have both somehow managed to start a new life. Until destiny forces them to reconnect and understand, they never really stopped loving one another other.

In a Rome divided between the city center and the suburbs, rich and poor, famous and not, Alex, Gaia, and Marco are three friends in their early twenties who dream of escaping the future society has written for them. Street life, working at the market, poverty, small-time drug dealing, suburban tenements, and the dream of hip-hop are Alex's life until his dream comes true and he finds himself catapulted into the world of rap, playing his part and proving his worth. Managing his own destiny, however, isn't easy, and Alex makes many mistakes, leaving him alone, without a point of reference, and with fleeting success. He must then confront his demons, the harshness of the world, and his own confusion, to learn to love his anger and understand what he truly desires.

Five women are victims of various forms of violence. In each of them the story of reality overlaps with that of imagination, thus creating a parallel world in which the desire to experience a healthy love becomes possible.

Adelaide is a 40-year-old literature teacher married with children. One day, she learns about the murder of a wealthy and arrogant co-worker of hers, strangled in her own home. Adelaide meets Gaetano, the charming inspector dealing with the case and decides to help him in the investigation, much to her husband's chagrin.

In a dystopian present/future, women have become extinct. It is a world of male hunters, where even the memory of the femicide they committed is punished. The three male protagonists are locked up in a closed space because they are infected by the memory. It is poetic justice.

Guido Brenta is in the navy during a war but returns home eager to resume his former life filled with romantic entanglements. However, he encounters disappointment as his father's financial struggles worsen. His sister, Rosy, is involved with wealthy Vieri Levrieri, and as Guido navigates complex family relationships and a tumultuous friend group, he falls in love with Eugenia, Vieri's sister. The friendships dissolve under pressure, leading to unexpected outcomes.

After much deliberation, Kurtz decides to gather his friends at his villa to propose that they write a collective book: one hundred chapters, written by as many voices, to devise a way to annihilate Silvio Berlusconi's excessive power.

Alfredo talks to himself or rather talks with a cigarette—bad thing loneliness, real loneliness, especially at the age of seventy. Alfredo is a man who has loved another man, Mario. He loved him so much that he found the courage to come out and lose his job and family. Mario, on the other hand, continued his married life, then became a father and finally a grandfather, because he is gay, but only part-time. Alfredo cannot bring himself to let him go, but neither can he live that relationship in the middle, so separation becomes inevitable here. At first, Alfredo convinces himself that he can escape the melancholy but then he accidentally slips on his partner's shirt and sees their whole life together again. Yes because all it takes is a scent, a smell to return there, where one was loved. Mario no longer wants to separate himself from that smell, which turns into an obsession, convinced that once it is gone, the last traces of their love will also disappear.

A teen comedy-drama set in an Italian public high school following an ensemble cast of students and teachers.

April 1945. The German army is losing the war and Tito's Yugoslav partisans are rapidly gaining ground.