Mehmet Aktaş

A young Kurdish man is torn between his mother's nostalgic search of a song in her dreams and an uncertain future with his pregnant girlfriend.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Alan, Jan and Liya, born in Kurdistan, raised in Stuttgart, want to grant their deceased mother her final wish: to be buried beside her husband, who died in the war, in their home village in Kurdistan. The clan objects, but the three set out anyway. A risky journey to a homeland wracked by strife.

Rojin is a young Kurdish woman about to take the university entrance exam. Rojin's unhappily married older sister Shilan decides to help her pass at any cost, hoping to give her a more emancipated life. Thus, the sisters inevitably become entangled in a huge network of corruption that connects all parts of society.

They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.

Iranian musicians Negar and Ashkan look for band members to play at a London concert ... and the visa that allows them to leave Tehran to do so.

A film crew from Germany, filming in a remote village in northeastern Turkey, interviews an elderly Kurdish woman. She performs an ancient ritual to keep alive the memory of the son she lost years ago. The young woman, who helps the German crew with the Kurdish translation, is also the caretaker of seven-year-old Melek. Melek's father is a member of a shadowy organization whose true purpose is unclear. The result of all these people coming together will be devastating.

Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.