Shiori Kazama

Fourth installment in Deka Matsuri omnibus series. 8 films.

Chiyoko's mother died when she was young. Since that time, Chiyoko has closed her heart to others. After her pet dies, Chiyoko feels loneliness. Her mother liked the Italian movie "La Strada." Due to movie study club senior, Masamune, Chiyoko is able to watch the Italian movie "La Strada," which her mother liked. Chiyoko soon acts in a movie directed by Masamune.

13-year old Chiaki Matsumoto enters middle school with two rules for herself: 1. Always stay cool and 2. Don’t make friends. Having suffered bullying in elementary school, Chiaki chooses a path of isolation, building emotional walls and deciding to live a tough, solitary life. One day, by chance, she meets Kiki, a flamboyant and mysterious individual who transcends age and gender. As Chiaki begins to interact with Kiki, she slowly opens her heart, learning to trust again.

Shinnosuke and Misawa are joint managers of a Bonsai shop. Suddenly Shinnosuke's childhood friend Haruko turns up. She has split up with her boyfriend and finds herself out on the streets. Shinnosuke starts to like her and really wants to cheer her up, but he can't manage to express his real feelings or stop picking up other women. Misawa is dumbfounded by Shinnosuke's behavior but also has complex feelings of love for his friend.

A look at the problems two couples, Kohei and Kinuko, and Manabe and Hijiri, have in their relationships, and the solutions they try to devise as a way out.

Three brothers, their father missing and tensions boiling, gather at their rural summer house; soon enough, they're unexpectedly joined by a female cousin.

A young man travels around in a truck while turning an 8mm camera. In his hometown in Kansai, he meets a high school girl. The film tells the story of the moratorium of youth through the connection of seemingly unrelated episodes between the young man and the girl. A truck driving through the city, a teacher from high school, an exchange with the girl. The film is full of transparency, with a conscious interplay between black and white and colour, as if it were a mental picture of the young man himself. In the last scene, the girl turns the 8mm camera on herself, and her face, enveloped in light, is refreshing.