Jean-David Lefebvre

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

Roland-Garros, 1981: For the very first time, a documentary team is allowed to shoot sequences in the backstage of the French Open of tennis of Roland-Garros. William Klein's camera takes us on the heels of the greatest players of the time: Björn Borg, Jimmy Connors, Ivan Lendl, Chris Evert-Lloyd, John McEnroe, Martina Navratilova, Yannick Noah, Guillermo Vilas... Miles of film. Historical pictures, a thousand and one details, a thousand and one unusual scenes. A declaration of love from a tennis lover.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.

Nadia, an 18-year-old French girl from Moroccan origin, is now of age to get married. Despite her reluctance to marriage during the family summer vacation in Morocco, she finally chooses Samir.

Benoît, a young provincial, arrives in the capital. He has left his family (mother, wife and child) in his native Charente. But for him, the difference in the standard of living is trying, and he loses his bearings among this crowd of anonymous people. A young woman, Myriam, crosses his path. But the encounter is short-lived, and Benoît returns home. A tragedy has occurred.