Thodoros Maragos

A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

In the mid-1960s, Kostas left his village in Crete dreaming of becoming a star. His rugged physique and humble background afforded him only small “tough-guy” roles, yet in numerous Greek films – from big studio productions and renowned auteur masterpieces to low-budget exploitation films alike. By placing a support actor at centerstage, the film traces five decades of Greek cinema.

An ancient Greek philosopher, Epicurus, wrote in the first century AD, a letter to Thodorakis the neo-Greek. When Thodorakis learn about it, he travels to Italy and specifically in the area that the letter where found along with 2000 other ancient Greek texts, in order to receive it from the Italian archaeologists.

In Filiatra, a half deserted township of Messinia, the remaining farmers face a constant struggle to pay off their debts to the Agricultural Bank.

The struggles of the Greek people during the dictatorship and the early post-dictatorship period.

In a prison cell two lifers meet, a former truck driver and the other one a "volunteer" who entered the prison because he believes that life as an inmate prisoner is better than outside.

The most important political, post-military junta satire about the nation, the religion, the education, the family.

Three friends reunite in Athens after struggling abroad. They think of a business idea but quickly realise that not everything goes as planned. When they reach out to a lawyer friend for help, they find that we are all on our own.

Thanasis an honest tax official in the tax office. He can not cope and has trouble providing the family of the necessities. So the wife is forced to go to work in a factory as a result not seen at all. !!!

A small mysterious man, who is the objectification of monetization, infects the mind of the western white man, and several symbolic sequences of xenophobia and dehumanization follow.

Lambros has a bizarre office that does crazy jobs, because he is not a fan of the "Fake pie to eat" theory, but he also puts his hand on every time he wants to reach a happy ending in a neighborhood. But he believes that marriage is a bad thing, until the day when the female Satan, using tricks similar to his own, appears in front of him.

A conscientious tanker driver, Thanasis Papathanasis, works hard to help his sister Afroditi study medicine. He believes that in this way he will be able to marry her off so that then he can finally marry Eleni, whom he has loved for years. His efforts, however, are all in vain, as he is constantly confronted with a corrupt establishment and political situation that generate all the prevailing misfortunes: personal, social and national.

An announcer and a friend see frustrated people at a train station waiting for a train that will never arrive. They then urge them to stay where they are and face the difficulties of their daily lives.

A police comedy/fantasy adventure with witches, ghosts, beautiful fairies and a cop who tries to solve a mysterious murder.

Life on a plot of land in Petralona in three seasons of the year. An amusement park is set up in an alana in the fall, the plot is deserted in the winter, and in the spring it serves as a stadium where the school's gymnastics demonstrations take place, which during the Junta become another tool of disorientation from the regime. A composition of moments of life as it flows in one of the then less glittering corners of the capital, where a space acquires its own essence. The passage of time sculpts the character of a piece of land, leaving its marks on it, just as it would on a person. Moments of joy and vitality give way to a rainy melancholy, like mood swings at the change of seasons. Until interest, an external force, dissolves everything during the construction of a building. The end is inexorable and inevitable.