Hideichi Nagahara

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

The year is 1988, and in the midst of recovering from a near-miss with a large comet, Earth finds that there are much worse matters at hand: the sudden arrival of a strange army of aliens and their fleet of unstoppable warships.

A seemingly run-of-the-mill corporate salaryman leads a double life as a vicious criminal by night. In a delicious scheme of payback, he seeks to dominate the corporation that employs him by day.

Former F1 driver Sawamura (Koichi Iwaki) has been immersed in the underworld of Yokohama alongside his partner Moriguchi (Takashi Fuji) ever since he lost his lawyer parents in a yakuza turf war. One day, he receives a contract to assassinate a high-ranking executive of the Seiryu-kai, a major organized crime syndicate. Sawamura successfully completes the job, but an assassin’s hand blocks their path. Behind the job lay a succession battle centered on Seiryukai executive Kajimoto (Minori Terada). With Moriguchi and his benefactor both killed, Sawamura swears revenge against Kajimoto’s faction.

A wandering tough biker girl aids a female delinquent gang in their battles against an all-male Seiyu group over a fixed boxing match.

The first movie of Tôru Murakawa’s “Game” trilogy, in which an assassin hired to recover a kidnap victim becomes embroiled in a vicious power struggle between two large corporations over a sizable government defence contract.

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

Yuzo Kayama is an American-Japanese operative working for the US to uncover an arms deal between an American seller and Chinese communists, and to take out both parties. After almost getting assassinated himself, he takes a wounded civilian with him despite living in a world where no one can be trusted.

Suspense drama about an assassin charged with breaking up a gold smuggling ring, and the contract subsequently purchased against him and his employer.

A star tennis player takes revenge on the blackmailers out to ruin his athletic career.

The Akiba and Shimura crime families run the streets of “K City”. With the construction of new buildings and new factories underway, the city has sprouted into a boomtown and business is good. Two of the most infamous mobs of Tokyo want a piece of the pie. As out-of-town yakuza flood the city overnight, the crime boss of the Akiba family, Tezuka (Joe Shishido), is released from prison after a five year sentence. He does not like the "change" he sees.

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?

A sexually frustrated office worker hits his boss in a night club. The next day he is told he will be demoted to a different position in the company. This disturbs him so much he begins to target all the office ladies who had rejected him.

A real all-star cast turns out for this modern yakuza yarn.

The series swansong, Beat '71, sees Kaji framed and sent to prison by her boyfriend's father and with the help of some hippies she strives to be re-united.

A retired racing champion, now a driving instructor, gets involved with the speed tribes after impulsively taking to the streets to relive his former glory.

Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.

Nomi-gumi, who plans to control Tama City, has begun to hurt Takase-gumi. Muraki, an executive, was entrusted with the destruction, but he was a brother of Takase-gumi's substitute, Tsukada. Muraki, who missed Tsukada and the old days at Tsukada's wife Shizue's shop, took the future of turning to the enemy painfully.

A policewoman is attacked, handcuffed and raped while on night patrol. Rather than report the incident, she decides to find and punish the rapist herself.

Taku abandons his job and his girlfriend and embarks on a journey of revenge in his turbo-tuned silver Celica LB, chasing the evil gold Skyline Hardtop GT, nicknamed "Phantom," that killed his friend.

The film tells about drug trafficking from Vietnam to Tokyo and Okinawa. Tetsuya Watari plays a photographer who uses his camera as a blackmail weapon. He is on the trail of a narcotics smuggler (Mikio Narita) and his beautiful contact (Haruko Wanibuchi). Watari meets a former gangster (Yujiro Ishihara) who is seeking revenge against Narita, his former partner. Watari and Ishihara become allies and hijack the dope shipment. But Narita threatens the life of Haruko, who turns out to be Ishihara's sister, and demands the dope in return for the girl.

Wild young people kidnap a wealthy woman and she becomes attracted to one of them. When she tells the man that she is the mistress of a religious leader, he and his posse make plans to rob her partner.

Yūji, fresh out of prison on parole, meets a stranger named Nao that asks for his assistance...

Abunai Deka, often shortened to AbuDeka, is Japanese television drama aired by Nippon Television between 1986 and 1987. Starring Hiroshi Tachi and Kyohei Shibata, the series became very popular and spawned films, spin-offs series, and books. The series follows a pair of detectives, Takayama and Oshita, from the Naka-ku branch of the Kanagawa Prefectural Police.

Two lovable idiot "private detectives" (or at least, that's their cover story —more like gangsters) try to make ends meet on the mean streets of Tokyo.

A brilliant collection of beautifully animated episodes based on selected masterpieces of Japanese modern literature. The aim of this series is to appeal to the viewer at large and to give him or her some idea of the variety and individuality which Japanese literature has developed over the last hundred years. The authors range from Higuchi Ichiyou (Takekurabe), Mori Ougai (The Dancing Girl) and Natsume Souseki (Botchan) to Kawabata Yasunari (The Izu Dancer), Nobel laureate of 1968, and Mishima Yukio (The Sound of Waves).